{"title":"Poesía y Teatro","description":"\u003cp\u003eHay \u003cstrong\u003elibros de poesía\u003c\/strong\u003e que caben en un bolsillo y no se terminan nunca. Esta sección reúne poetas clásicos y voces nuevas junto a las grandes \u003cstrong\u003eobras de teatro\u003c\/strong\u003e, porque verso y escena comparten lo esencial: la palabra dicha en voz alta.\u003cbr\u003e\nPara regalar, subrayar y volver.\u003c\/p\u003e","products":[{"product_id":"9788487731815","title":"The Star of Seville","description":"\u003ch2\u003eThe Star of Seville\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis edition presents the complete text of \u003ci\u003eThe Star of Seville\u003c\/i\u003e, one of the most emblematic works of the Spanish Golden Age theatre, attributed to Lope de Vega. Beyond the literary text, the volume includes the stage production carried out by the National Classical Theatre Company, which premiered at the Teatro Pavón in Madrid. With a version and direction by Eduardo Vasco, the reader will find a detailed analysis of the staging, offering a comprehensive vision that combines the study of the classical text with its contemporary theatrical interpretation.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play tells the story of Estrella Tavera, a young Sevillian woman of great beauty and honor, whose destiny is cut short by the abuses of power of King Sancho IV of Castile. The monarch, captivated by her, attempts to possess her using his authority, which triggers a series of conflicts regarding honor, loyalty, and justice. Estrella's brother, Busto Tavera, defends the family honor by confronting the king, while the male protagonist, Sancho Ortiz, is torn between his love for her and his loyalty to the monarch. The plot explores the tensions between absolute power and individual dignity, the code of honor, and the struggle for justice in a stratified society. This edition does not only reproduce the original text, but it also documents the adaptation and direction process by Eduardo Vasco, including directorial notes, set design, lighting and costume design, as well as the acting process, offering a complete perspective of how a classic work comes to life on the contemporary stage.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe conflict between royal power and individual honor in 13th-century Spain.\u003c\/li\u003e\n\n\u003cli\u003eThe defense of dignity and justice against tyranny and the abuse of authority.\u003c\/li\u003e\n\n\u003cli\u003eImpossible love and the moral dilemma between loyalty to the king and fidelity to personal affections.\u003c\/li\u003e\n\n\u003cli\u003eThe process of adapting and directing a classical text for contemporary theatre.\u003c\/li\u003e\n\n\u003cli\u003eStaging as a tool for interpreting and updating theatrical heritage.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at students and scholars of Spanish Golden Age literature, as well as theatre professionals and enthusiasts, especially those interested in stage direction, theatre production, and the adaptation of classics. It is also of great value to spectators and followers of the National Classical Theatre Company, and to any reader who wishes to understand how a 17th-century play can be reinterpreted and staged using contemporary criteria.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAccess to the full text of \u003ci\u003eThe Star of Seville\u003c\/i\u003e in an annotated and contextualized edition.\u003c\/li\u003e\n\n\u003cli\u003eDetailed documentation of the National Classical Theatre Company's stage production, including the version and direction by Eduardo Vasco.\u003c\/li\u003e\n\n\u003cli\u003eUnderstanding of the creative process that goes from the literary text to the theatrical performance, with analysis of set design, lighting, and acting direction.\u003c\/li\u003e\n\n\u003cli\u003eA comprehensive vision that combines philological study with theatrical practice, enriching the experience of the reader and the theatre professional.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Vega, Lope de\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Theatre direction and production, plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e TBD Collection\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e January 2009\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 131\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 458 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial assessment\u003c\/h3\u003e\n\u003cp\u003eThis edition is especially valuable for its dual focus: literary and theatrical. By bringing together Lope de Vega's classic text with the National Classical Theatre Company's production, it offers a unique tool for understanding the relevance and adaptability of Golden Age theatre. Eduardo Vasco's direction provides a contemporary perspective that respects the essence of the work, making this volume an essential resource for literature students, theatre professionals, and performing arts lovers who wish to explore the dialogue between the original text and its staging.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405059154267,"sku":"9788487731815","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978848773181.jpg?v=1781822125"},{"product_id":"9788487583209","title":"The Star of Seville","description":"\u003ch2\u003eThe Star of Seville\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis edition presents the complete text of \u003cem\u003eThe Star of Seville\u003c\/em\u003e, a classic work attributed to Lope de Vega, accompanied by the stage production that premiered at the Almagro International Festival of Classical Theatre in July 1998. The reader will find not only the play itself, but also an approach to its contemporary staging, which allows for an understanding of the relevance and adaptability of Golden Age theatre. An essential volume for scholars, theatre professionals, and lovers of classical Spanish drama.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eThe Star of Seville\u003c\/em\u003e is a drama of honor and loyalty set in the Seville of King Sancho IV the Brave. The work revolves around Estrella, a young woman of great beauty and virtue, and her brother Bustos Tabera, who becomes embroiled in a conflict with the monarch. The plot is triggered when the King, captivated by Estrella, attempts to force his will upon her, unleashing a chain of events where family honor, fidelity to the sovereign, and justice clash in a tragic manner. The edition includes the full text of the play and the production that brought it back to the stage, offering a dual reading: the literary and the theatrical.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHonor and reputation in Spanish Golden Age theatre.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between loyalty to the King and the defense of personal and family virtue.\u003c\/li\u003e\n\n\u003cli\u003eThe figure of the monarch as both judge and party in moral dilemmas.\u003c\/li\u003e\n\n\u003cli\u003eThe contemporary staging of classics: adaptation and theatrical production.\u003c\/li\u003e\n\n\u003cli\u003eThe authorship attributed to Lope de Vega and the context of Golden Age theatre.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at students and professors of Spanish literature, theatre professionals (directors, actors, playwrights), as well as enthusiasts of classical theatre who wish to discover a representative work of the drama of honor. It is also of interest to researchers of Lope de Vega's work and those studying the adaptation and production of Golden Age texts in contemporary theatre.\u003c\/p\u003e\n\u003ch3\u003eWhat this book provides\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAccess to the full text of a classic work attributed to Lope de Vega, with annotations and context regarding the production.\u003c\/li\u003e\n\n\u003cli\u003eA practical view of how a Golden Age text is brought to the stage, through the production that premiered in Almagro.\u003c\/li\u003e\n\n\u003cli\u003eStudy and reference material for analyzing the dramatic structure, characters, and themes of Golden Age theatre.\u003c\/li\u003e\n\n\u003cli\u003eA commemorative edition that links literary tradition with current theatrical production.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Vega, Lope de\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Theatre direction and production, Plays, Theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e TBD Collection\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e January 2006\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 140\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 300 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eAn edition of interest for both academic study and theatrical practice. By combining the original text with the stage production, it offers a complete perspective of the work, from its creation to its contemporary performance. It is a useful tool for understanding the endurance of classical theatre and its capacity for adaptation to new theatrical languages.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405067673947,"sku":"9788487583209","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978848758320.jpg?v=1781822194"},{"product_id":"9788487583001","title":"The Oresteia","description":"\u003ch2\u003eThe Oresteia\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis edition of Aeschylus' \u003cem\u003eThe Oresteia\u003c\/em\u003e, in a version by Álvaro del Amo, offers the reader more than just the classic text. It includes critical commentary and a detailed description of the stage production performed by the National Drama Center in June 1990. It is a work that fuses the study of classical theater with the analysis of contemporary production, providing a unique perspective on how a Greek tragedy comes to life on the modern stage.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe book presents Aeschylus' tragic trilogy, composed of \u003cem\u003eAgamemnon\u003c\/em\u003e, \u003cem\u003eThe Libation Bearers\u003c\/em\u003e, and \u003cem\u003eThe Eumenides\u003c\/em\u003e, which narrates the curse of the House of Atreus. The story follows the murder of King Agamemnon at the hands of his wife Clytemnestra, the vengeance of his son Orestes, and the subsequent divine trial that establishes civilized justice over bloody revenge. However, this edition is distinguished by the inclusion of commentary and a description of the specific 1990 production, allowing the reader to understand the directorial, scenographic, and staging decisions that brought this classic work to life in a contemporary theatrical context.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eJustice, revenge, and the transition from the law of retaliation to civil law.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between family duty and divine law.\u003c\/li\u003e\n\n\u003cli\u003eThe role of women and power in ancient Greece.\u003c\/li\u003e\n\n\u003cli\u003eGenerational curses and the search for redemption.\u003c\/li\u003e\n\n\u003cli\u003eDirecting and theatrical production processes applied to classical texts.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eIt is aimed at students and performing arts professionals, especially those interested in directing and theatrical production. It is also a valuable read for playwrights, theater critics, and lovers of classical theater who wish to delve into the process of staging a tragic work. Likewise, it is useful for researchers analyzing contemporary adaptations of Aeschylus' texts.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA complete vision of the creative process, from the original text to its staging.\u003c\/li\u003e\n\n\u003cli\u003eAnalytical material to understand the artistic and technical decisions of a professional production.\u003c\/li\u003e\n\n\u003cli\u003eA didactic resource for the study of Greek tragedy from a practical scenic perspective.\u003c\/li\u003e\n\n\u003cli\u003eHistorical and critical context on Aeschylus' work and its relevance in contemporary theater.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Aeschylus\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Theater directing and production, plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Pdte. Collection\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 1990\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 216\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 300 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003eThis edition of \u003cem\u003eThe Oresteia\u003c\/em\u003e is of interest due to its dual approach: it offers both the classic text and the testimony of a historical production by the National Drama Center. It is a useful tool for theater professionals seeking concrete examples of scenic adaptation, and for students who wish to connect dramatic theory with practice. Its specialized content makes it a reference for those researching the production of classics in the contemporary Spanish scene.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405068198235,"sku":"9788487583001","price":9.02,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978848758300.jpg?v=1781822200"},{"product_id":"9788490414422","title":"LOVE","description":"\u003ch2\u003eLOVE\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis work offers a deep and plural exploration of love through the eyes of one of the most complex poets in Spanish literature: Francisco de Quevedo. Luis Antonio de Villena unravels the multiple facets of the amorous sentiment in Quevedo's poetry, from the ribald tone and verbal play to the grandiose construction of idealized love. A rigorous analysis that reveals how Quevedo, throughout his vast production, elevates love to a monumental category.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe book examines Quevedo's amorous work, highlighting its extraordinary plurality. Far from a univocal vision, the author shows how different registers coexist in Quevedo: a burlesque poet who plays with language, a passionate lover, and a creator who, regardless of the object of his love, constructs a grandiose poetic architecture around the sentiment of love. The work delves into that diversity of tones and approaches to offer a complete vision of Quevedo's love.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe plurality of registers in Quevedo's love poetry.\u003c\/li\u003e\n\n\u003cli\u003eLove as a grandiose and monumental poetic construction.\u003c\/li\u003e\n\n\u003cli\u003eVerbal play and irony as tools of amorous discourse.\u003c\/li\u003e\n\n\u003cli\u003eThe duality between burlesque love and idealized love.\u003c\/li\u003e\n\n\u003cli\u003eThe figure of the lover in Quevedo's work.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eIt is aimed at students and scholars of Golden Age literature, readers interested in Spanish Baroque poetry, and those who wish to understand the complexity of the treatment of love in Quevedo's work. It will also be of interest to those seeking a rigorous and accessible literary analysis of one of the great poets of the Spanish language.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA nuanced and complete vision of Quevedo's love poetry, beyond the clichés.\u003c\/li\u003e\n\n\u003cli\u003eAn analysis of the plurality of tones and registers that characterize his work.\u003c\/li\u003e\n\n\u003cli\u003eKeys to understanding how Quevedo turns love into a literary theme of great magnitude.\u003c\/li\u003e\n\n\u003cli\u003eAn approach to the figure of the poet from the perspective of his amorous production.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e DE VILLENA, LUIS ANTONIO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e COMPAÑÍA NACIONAL DE TEATRO CLÁSICO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e POETRY\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e TEATRO DE LA COMEDIA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e February 2026\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 100\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 175 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eAn essential essay for those who wish to delve into the complexity of Quevedo's love poetry. Luis Antonio de Villena offers a precise analysis that reveals the contradictions and richness of the treatment of love in the Baroque poet, providing a perspective that enriches the understanding of his work. A recommended read for specialists and fans of Golden Age poetry.\u003c\/p\u003e","brand":"COMPAÑIA NACIONAL DE TEATRO CLASICO","offers":[{"title":"Default Title","offer_id":53405069279579,"sku":"9788490414422","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041442.jpg?v=1781822235"},{"product_id":"9788490415023","title":"A BODY MOVES","description":"\u003ch2\u003eA BODY MOVES\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn \u003ci\u003eA Body Moves\u003c\/i\u003e, playwright Eva Mir offers a contemporary theatrical piece that investigates the fragility and resilience of the human being. Written during her residency at the Centro Dramático Nacional, the play explores how the body becomes the stage for internal and external conflicts, and how displacement—physical, emotional, or social—redefines our identity. With a poetic and critical gaze, Mir constructs a text that invites the reader to reflect on vulnerability, memory, and the need to find a place in the world. An essential proposal for those seeking theater that engages with contemporary reality.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play focuses on the experience of a body that moves, travels, flees, or seeks a destination. Through precise and evocative stage language, Eva Mir addresses the tensions between public and private space, and between the desire for permanence and the obligation to depart. The text does not merely narrate a story; it unfolds a series of images and situations that bring the human condition to the fore: pain, hope, loneliness, and the connection with others. It is a theatrical journey that questions borders, both geographic ones and those we draw within ourselves.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe body as a territory of conflict and resistance.\u003c\/li\u003e\n\n\u003cli\u003eForced or voluntary displacement and its emotional consequences.\u003c\/li\u003e\n\n\u003cli\u003eIdentity in constant transformation in the face of mobility.\u003c\/li\u003e\n\n\u003cli\u003eMemory and rootedness in a globalized world.\u003c\/li\u003e\n\n\u003cli\u003eThe fragility of human relationships in transit contexts.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is intended for readers interested in contemporary drama, students and professionals of the performing arts, as well as anyone looking for a theatrical text that addresses the experiences of migration, exile, or the search for belonging with sensitivity and depth. It is also a valuable read for those who appreciate literature that explores the human condition from a poetic and critical perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original and current vision of the body and displacement as narrative axes.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical text of high literary quality, written by a recognized author on the Spanish stage.\u003c\/li\u003e\n\n\u003cli\u003eThe opportunity to discover a work created within the framework of a prestigious artistic residency program.\u003c\/li\u003e\n\n\u003cli\u003eA reading experience that invites reflection on universal social and personal themes.\u003c\/li\u003e\n\n\u003cli\u003eReference material for stage productions, theatrical studies, or debates on mobility and identity.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Details\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Mir, Eva\u003c\/li\u003e\n\n\u003cli\u003ePublisher: Centro Dramático Nacional\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eTopic: Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003eCollection: Fondo\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication Date: February 2026\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 111\u003c\/li\u003e\n\n\u003cli\u003eWeight: 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003e\u003ci\u003eA Body Moves\u003c\/i\u003e is a work that stands out for its ability to combine social reflection with highly sensitive stage writing. Eva Mir demonstrates a mastery of theatrical language that allows the reader to delve into an experience that is both intimate and universal. It is a title that will enrich the library of any contemporary theater lover and will undoubtedly generate debates and new readings on the role of the body in today's society. A necessary and welcome proposal in the publishing landscape of the performing arts.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069312347,"sku":"9788490415023","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041502.jpg?v=1781822237"},{"product_id":"9788490415405","title":"DRAWING OF A WOUNDED FOX","description":"\u003ch2\u003eDrawing of a Wounded Fox\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eDrawing of a Wounded Fox\u003c\/em\u003e is a play that explores the chance encounter between Ferran, a kindergarten teacher, and the self-portrait of a painter of his same age in an art gallery. From this discovery, the work unfolds a reflection on identity, the passage of time, and the wounds we all carry. With precise prose and a careful theatrical structure, the author invites the reader to question how we see ourselves and how others see us. A contemporary piece that combines the sensitivity of drama with the power of pictorial imagery.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eFerran, a preschool teacher, visits an art gallery and discovers a self-portrait painted four years prior by an artist of his same age. The painting, titled just like the play, becomes an unexpected mirror that triggers a series of questions about personal perception, authenticity, and the masks we wear in daily life. Through this discovery, the plot delves into the relationship between the observer and the work, and how a fixed image can reveal uncomfortable truths about time, memory, and emotional scars. The narrative moves between reality and interpretation, weaving an intimate dialogue between Ferran and the portrait that confronts him with his own reflection.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eIdentity and self-representation: the search for who we are through the gaze of others and our own.\u003c\/li\u003e\n\n\u003cli\u003eThe passage of time and memory: how the past manifests in the present through objects and encounters.\u003c\/li\u003e\n\n\u003cli\u003eVulnerability and emotional wounds: the concept of the \"wounded fox\" as a metaphor for human fragility.\u003c\/li\u003e\n\n\u003cli\u003eArt as a mirror: the capacity of a pictorial work to challenge and transform the viewer.\u003c\/li\u003e\n\n\u003cli\u003eThe everyday and the extraordinary: how a seemingly simple moment can reveal deep layers of meaning.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater and introspective narrative. It is ideal for those looking for texts that combine psychological reflection with artistic sensitivity, as well as for lovers of painting and the relationship between visual arts and literature. It is also suitable for students and professionals of the performing arts who wish to explore new voices within the current theatrical landscape.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA reading experience that invites personal introspection and the questioning of one's own identity.\u003c\/li\u003e\n\n\u003cli\u003eAn original perspective on the power of art to trigger processes of self-knowledge.\u003c\/li\u003e\n\n\u003cli\u003eA contemporary theatrical text that combines poetic sensitivity with a solid narrative structure.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on vulnerability and authenticity in a world that often encourages masks.\u003c\/li\u003e\n\n\u003cli\u003eA work that connects the world of early childhood education with that of art, offering an enriching contrast.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Puig Grau, Oriol\u003c\/li\u003e\n\n\u003cli\u003ePublisher: Instituto Artes Escenicas y Musica\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003eCollection: Fondo\u003c\/li\u003e\n\n\u003cli\u003ePublication date: November 2025\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 176\u003c\/li\u003e\n\n\u003cli\u003eWeight: 420 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eDrawing of a Wounded Fox\u003c\/em\u003e is presented as a theatrical proposal that opts for introspection and visual symbolism. Its starting point, the encounter with a self-portrait, allows the author to build a plot that transcends the anecdotal to delve into universal issues such as identity and vulnerability. The play is especially attractive to readers who value theater as a vehicle for personal reflection and who seek texts with significant poetic and psychological weight. It is a relevant addition for those who follow contemporary theatrical production in Spanish.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069345115,"sku":"9788490415405","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041540.jpg?v=1781822239"},{"product_id":"9788490414019","title":"THE BAKER","description":"\u003ch2\u003eTHE BAKER WOMAN\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis work offers a unique tour of 18th-century theater through the figure of Ramón de la Cruz, a fundamental author for understanding the Spanish Enlightenment. Playwright Lluïsa Cunillé has woven together several \"sainetes\" (one-act farces) by the master to show us the fascinating world of the theater companies of the era, their characters, and their vicissitudes. The reader will discover how the \"sainete,\" that minor genre, became a jewel of dramaturgy, while delving into a story that connects lard, the origin of the word \"sainete,\" and the lives of comedians. A text that vindicates the legacy of an essential author.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe book is a scenic recreation based on several original \"sainetes\" by Ramón de la Cruz, an author who revolutionized 18th-century Spanish theater. Lluïsa Cunillé has selected and stitched together those fragments that coincide in showing us the world of theater companies from the inside, offering a meticulous description of their characters. Through this work, the reader can catch a glimpse into the complex vicissitudes of actresses and actors of the time, while discovering how De la Cruz introduced Enlightenment values, created new popular archetypes, and secularized the theater. The work also explores the curious etymology of the word \"sainete,\" which shares its origin with \"ensaimada\" (both derived from the Catalan *saïm*, lard), establishing a metatheatrical play that connects the genre to the reward given to birds of prey.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eTheater within theater (metatheater) through the life of 18th-century companies.\u003c\/li\u003e\n\n\u003cli\u003eThe vindication of the \"sainete\" as a theatrical genre of great literary and social value.\u003c\/li\u003e\n\n\u003cli\u003eThe Spanish Enlightenment and its reflection on the stage: new values, popular archetypes, and the secularization of theater.\u003c\/li\u003e\n\n\u003cli\u003eThe figure of Ramón de la Cruz as an innovator and systematizer of the \"sainete.\"\u003c\/li\u003e\n\n\u003cli\u003eThe memory of the theatrical craft: actresses, actors, and the complexities of their work in the past.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eIt is recommended for students and professionals of the performing arts, those interested in the history of Spanish theater and 18th-century dramaturgy. It is also for readers who wish to discover the work of Ramón de la Cruz from a contemporary perspective, as well as for those who appreciate theatrical proposals that combine erudition, humor, and metaliterature.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA lucid and documented vision of the 18th-century theatrical world, through the pen of two key authors.\u003c\/li\u003e\n\n\u003cli\u003eThe opportunity to rediscover Ramón de la Cruz, a fundamental author often unknown to the general public.\u003c\/li\u003e\n\n\u003cli\u003eAn exercise in dramaturgy that connects the past with the present, showing the relevance of \"sainetes.\"\u003c\/li\u003e\n\n\u003cli\u003eA journey to the origin of the \"sainete\" and its curious etymological relationship with gastronomy.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: DE LA CRUZ, RAMON; CUNILLE, LLUÏSA\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eCollection: FONDO\u003c\/li\u003e\n\n\u003cli\u003ePublication date: October 2025\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 92\u003c\/li\u003e\n\n\u003cli\u003eWeight: 110 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis work is of interest to specialized audiences and any reader curious about the history of theater. Lluïsa Cunillé's proposal manages to give unity to several \"sainetes\" by Ramón de la Cruz, offering an inside look at the craft of 18th-century comedians that is both erudite and entertaining. It is a text that invites reflection on the importance of minor genres and the persistence of certain theatrical traditions, presented with an approach that seeks to vindicate the figure of an author who deserves to be better known.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069508955,"sku":"9788490414019","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041401.jpg?v=1781822247"},{"product_id":"9788490415016","title":"CAZA AL PERRO CAZA AL NIÑO CAZA AL OTRO NIÑO TAMBIÉN*","description":"\u003ch2\u003eHUNT THE DOG HUNT THE BOY HUNT THE OTHER BOY TOO*\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis work, written by Nicolás Lange as part of the 2023-2024 Dramatic Residencies program at the Centro Dramático Nacional, is a contemporary theatrical text that explores the complexities of identity, memory, and violence in the current context. Through a fragmentary structure and poetic language, the play invites the reader to enter a universe where hunting becomes a metaphor for the search for oneself and others. A dramatic journey that questions the boundaries between the pursuer and the prey, offering an intense and reflective theatrical experience.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play presents a non-linear narrative where the act of \"hunting\" unfolds in multiple directions: hunt the dog, hunt the boy, hunt the other boy. This premise becomes a starting point for exploring power relations, dynamics of control, and the fragility of human bonds. Through sharp dialogues and extreme situations, Lange constructs a text that challenges the reader to reconstruct its meaning, immersing them in an atmosphere of constant tension. The piece moves between the real and the symbolic, offering multiple layers of interpretation regarding daily violence and the search for redemption.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eIdentity and the fragmentation of the self in contemporary society.\u003c\/li\u003e\n\n\u003cli\u003eViolence as a mechanism for interpersonal relationship and control.\u003c\/li\u003e\n\n\u003cli\u003eMemory and its role in the construction of reality.\u003c\/li\u003e\n\n\u003cli\u003eThe metaphor of the hunt as an existential search and confrontation with the other.\u003c\/li\u003e\n\n\u003cli\u003eThe dynamics of power and submission in human relationships.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is recommended for students and professionals of the performing arts, playwrights, theater directors, and actors interested in contemporary creation. It is also ideal for readers of experimental theater and unconventional narrative who seek texts that challenge traditional structures and propose a deep reflection on the human condition.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn innovative and stimulating theatrical reading experience, far from classical canons.\u003c\/li\u003e\n\n\u003cli\u003eA work that invites analysis and discussion on universal themes from a contemporary perspective.\u003c\/li\u003e\n\n\u003cli\u003eAn example of current dramaturgy produced by a benchmark institution such as the Centro Dramático Nacional.\u003c\/li\u003e\n\n\u003cli\u003eValuable work material for stage productions, acting workshops, and text studies.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: LANGE, NICOLAS\u003c\/li\u003e\n\n\u003cli\u003ePublisher: CENTRO DRAMATICO NACIONAL\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eTopic: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: DRAMATIC RESIDENCIES\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: February 2026\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 91\u003c\/li\u003e\n\n\u003cli\u003eWeight: 240 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThis work by Nicolás Lange represents a commitment to the most daring and personal dramaturgy. Its inclusion in the Dramatic Residencies program of the Centro Dramático Nacional guarantees a high level of quality and artistic demand. The text, brief but dense, offers an interpretative challenge for both the reader and any future stage production. It is a proposal that will especially interest those seeking theater that engages with the concerns of the present, without concessions to the conventional.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069541723,"sku":"9788490415016","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041501.jpg?v=1781822249"},{"product_id":"9788490415344","title":"DRAMATICA NO. 9 JUNE 2025","description":"\u003ch2\u003eDRAMATICA 10\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eDramática 10 is a biannual publication that invites the reader to explore the Performing Arts from an interdisciplinary perspective. This issue continues the work of opening theatrical discourse to fields such as Philosophy, Architecture, Science, and Art, offering a forum for critical and contemporary thought. An essential work for those seeking to understand theater beyond the stage, connecting it with the great questions and knowledge of our time.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eDramática 10 is presented as a specialized magazine that transcends the traditional limits of theater. Its purpose is to build bridges between the Performing Arts and other disciplines of knowledge, generating an enriching dialogue. Through its pages, the reader will find analyses, reflections, and essays that explore how Philosophy, Architecture, Science, and contemporary Art influence and intertwine with theatrical practice and theory. It is a space for deep reflection, where theater becomes a prism for examining reality.\u003c\/p\u003e\n\u003ch3\u003eMain Topics\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eInterdisciplinarity in the Performing Arts\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between theater and Philosophy\u003c\/li\u003e\n\n\u003cli\u003eConnection between the stage and Architecture\u003c\/li\u003e\n\n\u003cli\u003eInfluence of Science on theatrical discourse\u003c\/li\u003e\n\n\u003cli\u003eDialogue between contemporary art and scenic practice\u003c\/li\u003e\n\n\u003cli\u003eCritical thinking and forum for debate on current creation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at Performing Arts professionals, theater students, humanities researchers, and creators interested in multidisciplinary approaches. It is also ideal for philosophers, architects, scientists, and artists who wish to explore the connections between their fields and the theatrical stage. In short, for any curious reader seeking rigorous and expanded thought on contemporary culture.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn innovative look that places theater in a broader intellectual context.\u003c\/li\u003e\n\n\u003cli\u003eContent of high academic and reflective quality, far from superficial approaches.\u003c\/li\u003e\n\n\u003cli\u003eTools for understanding how other disciplines enrich scenic practice.\u003c\/li\u003e\n\n\u003cli\u003eA forum for debate that stimulates critical thinking about current artistic creation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: AA.VV\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: ARTS, SERIAL PUBLICATIONS, NEWSPAPERS, SUMMARIES\u003c\/li\u003e\n\n\u003cli\u003eCollection: DRAMATICA\u003c\/li\u003e\n\n\u003cli\u003eEdition date: December 2025\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003eDramática 10 is consolidated as a reference publication for contemporary scenic thought. Its interdisciplinary approach and its vocation as a critical forum make it a valuable tool for professionals and students who wish to go beyond conventional practice. The work stands out for its intellectual rigor and its ability to build bridges between theater and other fields of knowledge, offering a stimulating and necessary reading for those seeking a deeper understanding of the Performing Arts.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069574491,"sku":"9788490415344","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041534.jpg?v=1781822251"},{"product_id":"9788490415047","title":"DRAMATICA NO. 8 DECEMBER 2024","description":"\u003ch2\u003eDRAMATICA 10\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eDramática 10 is a biannual publication that invites the reader to explore the Performing Arts from an interdisciplinary perspective. This issue continues the work of opening theatrical discourse to fields such as Philosophy, Architecture, Science, and Art, offering a forum for critical and contemporary thought. An essential work for those who seek to understand theater beyond the stage, connecting it with the great questions and knowledge of our time.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eDramática 10 presents itself as a specialized journal that transcends the traditional boundaries of theater. Its purpose is to build bridges between the Performing Arts and other disciplines of knowledge, generating an enriching dialogue. Through its pages, the reader will find analyses, reflections, and essays that explore how Philosophy, Architecture, Science, and contemporary Art influence and intertwine with theatrical practice and theory. It is a space for deep reflection, where theater becomes a prism through which to examine reality.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eInterdisciplinarity in the Performing Arts\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between theater and Philosophy\u003c\/li\u003e\n\n\u003cli\u003eThe connection between the stage and Architecture\u003c\/li\u003e\n\n\u003cli\u003eThe influence of Science on theatrical discourse\u003c\/li\u003e\n\n\u003cli\u003eDialogue between contemporary art and stage practice\u003c\/li\u003e\n\n\u003cli\u003eCritical thinking and a discussion forum on current creation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at Performing Arts professionals, theater students, humanities researchers, and creators interested in multidisciplinary approaches. It is also ideal for philosophers, architects, scientists, and artists who wish to explore the connections between their fields and the theatrical stage. In short, it is for any curious reader seeking rigorous and expanded thought on contemporary culture.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn innovative perspective that places theater in a broader intellectual context.\u003c\/li\u003e\n\n\u003cli\u003eHigh-quality academic and reflective content, far removed from superficial approaches.\u003c\/li\u003e\n\n\u003cli\u003eTools for understanding how other disciplines enrich stage practice.\u003c\/li\u003e\n\n\u003cli\u003eA discussion forum that stimulates critical thinking about current artistic creation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: AA.VV\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: ARTS, SERIAL PUBLICATIONS, PERIODICALS, SUMMARIES\u003c\/li\u003e\n\n\u003cli\u003eCollection: DRAMATICA\u003c\/li\u003e\n\n\u003cli\u003ePublication date: December 2025\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eDramática 10 establishes itself as a reference publication for contemporary theatrical thought. Its interdisciplinary approach and its vocation as a critical forum make it a valuable tool for professionals and students who wish to go beyond conventional practice. The work stands out for its intellectual rigor and its ability to build bridges between theater and other fields of knowledge, offering a stimulating and necessary read for those seeking a deeper understanding of the Performing Arts.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069607259,"sku":"9788490415047","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041504.jpg?v=1781822254"},{"product_id":"9788490414842","title":"DRAMATICA NO. 7 JUNE 2024","description":"\u003ch2\u003eDRAMATICA NO. 7 JUNE 2024\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThe seventh issue of the semiannual magazine \u003cem\u003eDramática\u003c\/em\u003e invites an interdisciplinary dialogue surrounding the Performing Arts. Through essays, analyses, and reflections, this edition connects theatrical discourse with fields such as Philosophy, Architecture, Science, and Art. The reader will find a forum for contemporary thought that, starting from the stage, addresses the questions and transformations of a constantly changing present. An indispensable tool for those who seek to understand theater not just as a spectacle, but as a space for knowledge and cultural criticism.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThis volume of \u003cem\u003eDramática\u003c\/em\u003e is presented as a platform for critical thinking that transcends the traditional boundaries of theater. The publication brings together collaborations that explore how the Performing Arts engage in dialogue with other disciplines to generate new perspectives on reality. From the influence of architecture on staging to the intersections between philosophy and performance, the texts offer a deep analysis of the contemporary stage. The magazine stands as a space to debate current events from a scenic perspective, addressing topics such as identity, technology, politics, and aesthetics, always with an eye on the \"now\" as a driver of change and reflection.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eTheater as a space of intersection with philosophy, architecture, and science.\u003c\/li\u003e\n\n\u003cli\u003eAnalysis of the contemporary stage and its relationship with current social and political events.\u003c\/li\u003e\n\n\u003cli\u003eReflection on the role of the Performing Arts in the construction of critical thinking.\u003c\/li\u003e\n\n\u003cli\u003eExploration of new narratives and formats in theatrical creation.\u003c\/li\u003e\n\n\u003cli\u003eDialogue between theatrical tradition and the transformations of the present.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis issue is aimed at theater professionals, Performing Arts students, researchers in the humanities and social sciences, as well as any reader interested in contemporary culture. It is especially valuable for those seeking an interdisciplinary approach that enriches the understanding of theater as an artistic and social phenomenon, beyond mere performance.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA broad and updated perspective on the dialogue between theater and other disciplines of knowledge.\u003c\/li\u003e\n\n\u003cli\u003eContent of critical reflection that stimulates thinking about the stage and its context.\u003c\/li\u003e\n\n\u003cli\u003eReference and debate material for students, teachers, and theatrical creators.\u003c\/li\u003e\n\n\u003cli\u003eA forum of ideas that connects theatrical practice with the philosophical, scientific, and artistic debates of the moment.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Various Authors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e THEATER: ACTORS AND DIRECTORS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e DRAMATICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEdition date:\u003c\/strong\u003e October 2024\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 126\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 455 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThe seventh issue of \u003cem\u003eDramática\u003c\/em\u003e establishes itself as a reference publication for contemporary stage thought. Its interdisciplinary approach and commitment to current events make it a useful tool for both academic analysis and creative inspiration. The quality of the texts and the diversity of perspectives offer a stimulating read, which invites us to rethink the place of theater in the world today. Recommended for those looking for a rigorous and open look at the Performing Arts.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069640027,"sku":"9788490414842","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041484.jpg?v=1781822254"},{"product_id":"9788490414606","title":"DRAMATICA NO. 5 NOVEMBER 2022","description":"\u003ch2\u003eDRAMATICA NO. 7 JUNE 2024\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThe seventh issue of the semiannual magazine \u003cem\u003eDramática\u003c\/em\u003e invites an interdisciplinary dialogue surrounding the Performing Arts. Through essays, analyses, and reflections, this edition connects theatrical discourse with fields such as Philosophy, Architecture, Science, and Art. The reader will find a forum for contemporary thought that, starting from the stage, addresses the questions and transformations of a constantly changing present. An indispensable tool for those who seek to understand theater not just as a spectacle, but as a space for knowledge and cultural critique.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThis volume of \u003cem\u003eDramática\u003c\/em\u003e is presented as a platform for critical thinking that transcends the traditional boundaries of theater. The publication brings together contributions that explore how the Performing Arts engage in dialogue with other disciplines to generate new perspectives on reality. From the influence of architecture on staging to the intersections between philosophy and performance, the texts offer a deep analysis of the contemporary scene. The magazine stands as a space to debate current events from a theatrical perspective, addressing themes such as identity, technology, politics, and aesthetics, always with an eye on the \"now\" as a driver of change and reflection.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eTheater as a space of intersection with philosophy, architecture, and science.\u003c\/li\u003e\n\n\u003cli\u003eAnalysis of the contemporary scene and its relationship with social and political current events.\u003c\/li\u003e\n\n\u003cli\u003eReflection on the role of the Performing Arts in the construction of critical thinking.\u003c\/li\u003e\n\n\u003cli\u003eExploration of new narratives and formats in theatrical creation.\u003c\/li\u003e\n\n\u003cli\u003eDialogue between theatrical tradition and the transformations of the present.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis issue is aimed at theater professionals, Performing Arts students, researchers in the humanities and social sciences, as well as any reader interested in contemporary culture. It is especially valuable for those seeking an interdisciplinary approach that enriches the understanding of theater as an artistic and social phenomenon, beyond mere performance.\u003c\/p\u003e\n\u003ch3\u003eWhat this book provides\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA broad and updated perspective on the dialogue between theater and other disciplines of knowledge.\u003c\/li\u003e\n\n\u003cli\u003eCritical reflection content that stimulates thinking about the stage and its context.\u003c\/li\u003e\n\n\u003cli\u003eReference and debate material for students, teachers, and stage creators.\u003c\/li\u003e\n\n\u003cli\u003eA forum of ideas that connects theatrical practice with the philosophical, scientific, and artistic debates of the moment.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Various Authors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e THEATER: ACTORS AND DIRECTORS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e DRAMATICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e October 2024\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 126\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 455 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThe seventh issue of \u003cem\u003eDramática\u003c\/em\u003e establishes itself as a reference publication for contemporary stage thought. Its interdisciplinary approach and its commitment to current events make it a useful tool for both academic analysis and creative inspiration. The quality of the texts and the diversity of perspectives offer a stimulating read, which invites a rethinking of the place of theater in today's world. Recommended for those looking for a rigorous and open look at the Performing Arts.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069672795,"sku":"9788490414606","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041460.jpg?v=1781822256"},{"product_id":"9788490414484","title":"DRAMATICA NO. 4 MARCH 2022","description":"\u003ch2\u003eDRAMATICA NO. 4 MARCH 2022\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eDRAMÁTICA NO. 4 MARCH 2022 is a biannual magazine that expands the horizons of scenic discourse by connecting theater with disciplines such as philosophy, architecture, politics, science, and art. This issue offers a forum for thought anchored in contemporary reality, inviting the reader to explore how the performing arts dialogue with a constantly changing world. An essential publication for those seeking a critical and multidisciplinary look at contemporary theater.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eDRAMÁTICA NO. 4 MARCH 2022 is presented as a biannual magazine that transcends the traditional boundaries of theater. Its objective is to open a forum for reflection from and towards the stage, rooted in the present of an ever-changing reality. Through articles, essays, and collaborations, the publication addresses how the performing arts intertwine with other fields of knowledge, such as philosophy, architecture, politics, science, and art. This specific issue delves into topics that connect theatrical practice with contemporary debates, offering a broad and updated perspective on the theatrical landscape.\u003c\/p\u003e\n\u003ch3\u003eMain Topics\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eRelationship between the performing arts and philosophy as a tool for critical thinking.\u003c\/li\u003e\n\n\u003cli\u003eInfluence of architecture on the creation and reception of theatrical works.\u003c\/li\u003e\n\n\u003cli\u003eIntersection of theater with politics and science in today's society.\u003c\/li\u003e\n\n\u003cli\u003eDialogue between the performing arts and other artistic disciplines to enrich theatrical discourse.\u003c\/li\u003e\n\n\u003cli\u003eReflection on the changing reality and its impact on contemporary scenic creation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis publication is aimed at theater professionals, performing arts students, researchers in the humanities and social sciences, as well as any reader interested in exploring theater from an interdisciplinary and contemporary perspective. It is ideal for those seeking rigorous content that connects theatrical practice with current philosophical, political, and scientific debates.\u003c\/p\u003e\n\u003ch3\u003eWhat this book provides\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn expanded vision of theater as a field of knowledge interconnected with other disciplines.\u003c\/li\u003e\n\n\u003cli\u003eUpdated and reflective content on the role of the performing arts in contemporary society.\u003c\/li\u003e\n\n\u003cli\u003eAccess to a critical thinking forum that enriches the understanding of the theatrical act.\u003c\/li\u003e\n\n\u003cli\u003eReference material for academic and professional debates on the evolution of theater.\u003c\/li\u003e\n\n\u003cli\u003eA unique perspective that combines theory and practice to delve into scenic creation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Various Authors\u003c\/li\u003e\n\n\u003cli\u003ePublisher: CENTRO DRAMÁTICO NACIONAL\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: THEATRICAL WORKS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: DRAMATICA\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: February 2026\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 99\u003c\/li\u003e\n\n\u003cli\u003eWeight: 535 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eDRAMÁTICA NO. 4 MARCH 2022 is consolidated as a valuable editorial proposal for those who wish to go beyond simple theatrical performance. Its interdisciplinary approach and commitment to critical thinking make it a useful tool for both professionals and theater enthusiasts. This issue offers rigorous and current content that invites reflection on the role of the performing arts in a transforming world, making it a recommended addition for any library specializing in contemporary theater.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069705563,"sku":"9788490414484","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041448.jpg?v=1781822257"},{"product_id":"9788490415320","title":"THE APPEARANCES","description":"\u003ch2\u003eTHE APPEARANCES\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn \"The Appearances,\" Fernando Delgado Hierro constructs an autofiction that projects into the future, exploring the essential questions that arise in midlife. Through the reunion of two childhood friends, the work investigates the paths of the future, the repetition of family cycles, and the weight of bodily memory. A theatrical piece that invites the reader to reflect on whether we will manage to escape the patterns that define us and how the past and future are reflected in our present.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play narrates the reunion of Fernando and Pablo, two friends who grew up together in the same neighborhood and who now, at the hinge of middle age, face the uncertainties of the future. Through intimate and poetic dialogue, they wonder if they will manage to escape the cycles that define them: if the daughter will remember the mother, if the aging body will inhabit the expressions of the grandparents, if the branches and the roots resemble each other. \"The Appearances\" is a reflection on time, identity, and family heritage, where the future becomes a mirror of the past.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAutofiction and future projection: the construction of a personal narrative that anticipates what is to come.\u003c\/li\u003e\n\n\u003cli\u003eFamily cycles and heritage: the repetition of physical and emotional patterns across generations.\u003c\/li\u003e\n\n\u003cli\u003eMiddle age as an existential hinge: the vital moment in which the course of life is questioned.\u003c\/li\u003e\n\n\u003cli\u003eBodily memory and aging: how the body harbors the traces of the past and foreshadows the future.\u003c\/li\u003e\n\n\u003cli\u003eFriendship and reunion: the bond between two people who share a common history and face essential questions together.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers interested in contemporary theater and autofiction, as well as those looking for a profound reflection on the passage of time, identity, and family relationships. It will also be attractive to those who enjoy works that combine poetic introspection with a critical look at vital cycles and generational heritage.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original perspective on autofiction, projected toward the future rather than the past.\u003c\/li\u003e\n\n\u003cli\u003eAn intimate and universal reflection on middle age and the questions that arise at that vital moment.\u003c\/li\u003e\n\n\u003cli\u003eA dialogue between personal memory and family heritage, exploring how the cycles we repeat define us.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical work that invites introspection and the questioning of our own life trajectories.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: DELGADO HIERRO, FERNANDO\u003c\/li\u003e\n\n\u003cli\u003ePublisher: CENTRO DRAMÁTICO NACIONAL\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eTopic: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: NEW DRAMAS OF THE CENTRO DRAMÁTICO NACIONAL\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: February 2026\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 102\u003c\/li\u003e\n\n\u003cli\u003eWeight: 250 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003e\"The Appearances\" is a theatrical proposal that stands out for its innovative approach within autofiction, by directing its gaze toward the future instead of recreating the past. Fernando Delgado Hierro manages to weave a poetic and accessible reflection on middle age, family heritage, and the cycles that define us, offering the reader a text that invites both introspection and debate. Its brevity and depth make it an ideal read for those looking for a contemporary work that combines emotion and critical thought.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069771099,"sku":"9788490415320","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041532.jpg?v=1781822261"},{"product_id":"9788490414613","title":"THE SWINGS","description":"\u003ch2\u003eTHE SWINGS\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis work is the result of a unique creative process where the ideas and stage experimentation of a group of children between the ages of 8 and 11, the second graduating class of the Nuevos Dramáticos, take shape. \"The Swings\" collects their responses and viewpoints to build a theatrical production that reveals a free and groundbreaking childhood philosophy: the certainty that everything is possible. A text that invites us to rediscover the world through a pure and unfiltered gaze.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play was conceived from the ideas and stage experimentation of a group of children between 8 and 11 years old, members of the second class of the National Dramatic Center's Nuevos Dramáticos. Their responses, concerns, and viewpoints about the world are the fundamental material for this production. Through their voices, \"The Swings\" discovers a unique, free, and groundbreaking philosophy, where adult logic dissolves to give way to an absolute certainty: everything is possible. The text is a reflection of that genuine, unprejudiced gaze that challenges established conventions.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe childlike gaze as a tool for transforming reality.\u003c\/li\u003e\n\n\u003cli\u003eStage experimentation as a method of collective creation.\u003c\/li\u003e\n\n\u003cli\u003eThe philosophy of possibility and the breaking of imposed limits.\u003c\/li\u003e\n\n\u003cli\u003eCreative freedom and the genuine expression of childhood.\u003c\/li\u003e\n\n\u003cli\u003eTheater as a space for intergenerational dialogue and discovery.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eRecommended for lovers of contemporary theater and experimental dramaturgy, as well as professionals in education, pedagogy, and artistic creation interested in collaborative processes with children. Also for readers looking for a work that challenges narrative conventions from a playful and philosophical perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA reading experience that invites us to question the certainties of the adult world.\u003c\/li\u003e\n\n\u003cli\u003eA unique testimony of the creative process of a group of children as co-authors of a theatrical work.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the transformative capacity of the childlike gaze in art.\u003c\/li\u003e\n\n\u003cli\u003eAn original theatrical proposal that demonstrates that philosophy can be born from play and experimentation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical sheet\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e TRONCOSO, JOSE\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e CENTRO DRAMaTICO NACIONAL\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e NUEVOS DRAMAS DEL CENTRO DRAMATICO NACIO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e February 2026\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 99\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 120 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003e\"The Swings\" represents a valuable editorial proposal due to its unique creative process, which places the voice of the child at the center of contemporary dramaturgy. Its interest lies in offering a text that is not just read, but documents a collaborative artistic experience, raising questions about authorship and creativity. A work that connects with audiences interested in new ways of making theater and in the exploration of non-adult-centric perspectives.\u003c\/p\u003e","brand":"CENTRO DRAMATICO NACIONAL","offers":[{"title":"Default Title","offer_id":53405069803867,"sku":"9788490414613","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041461.jpg?v=1781822262"},{"product_id":"9788490414781","title":"SMALL CLUSTER OF ABYSSES","description":"\u003ch2\u003eSMALL CLUSTER OF ABYSSES\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eSmall Cluster of Abysses\u003c\/em\u003e is a theatrical work that defies the conventions of the autobiographical genre. The author, Cris Blanco, sets out to narrate her childhood, marked by hypersensitivity and the upbringing of three village women, but an unexpected black hole in the theater wall interrupts the story. This metatheatrical twist transforms the piece into a playful and profound reflection on memory, identity, and the very act of creating. The reader finds themselves before a text that plays with expectation, imposture, and the need to tell a story, offering a unique stage experience that combines the tenderness of memories with the irreverence of fiction.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play is presented as the failed attempt at an autobiographical narrative. The author confesses her desire to talk about her childhood, her hypersensitivity, and how she was raised by three women who, with their love and innocence, defied the norms of the big city. However, the emergence of a black hole in the theatrical space prevents this story from unfolding. This fantastic element forces the author to divert her attention toward pop figures like David Hasselhoff, María Guerrero, and Mari Trini, creating a collage of references that question the authenticity of the account. The play thus moves between the intimate and the absurd, exploring how memories are deformed, interrupted, and mixed with popular culture, offering a sharp commentary on artistic creation and the imposture of the autobiographical.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHypersensitivity as a vital and creative experience.\u003c\/li\u003e\n\n\u003cli\u003eMemory and its deformation through time and fiction.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between rural identity and the demands of urban life.\u003c\/li\u003e\n\n\u003cli\u003eImposture and the impossibility of a genuine autobiography.\u003c\/li\u003e\n\n\u003cli\u003eMetatheatricality and playing with the boundaries of stage representation.\u003c\/li\u003e\n\n\u003cli\u003eThe influence of popular culture (television, music) on the construction of identity.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers and viewers interested in contemporary theater that breaks away from classic narrative structures. It is ideal for those looking for proposals that integrate metatheatrical reflection, absurd humor, and social critique. It will also be attractive to those who appreciate works that question the authenticity of the self and explore memory from a playful and fragmentary perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA reading experience that challenges expectations about autobiography and fiction.\u003c\/li\u003e\n\n\u003cli\u003eAn original reflection on how popular culture intertwines with personal memories.\u003c\/li\u003e\n\n\u003cli\u003eA text that invites us to rethink the boundaries of theatrical representation and artistic creation.\u003c\/li\u003e\n\n\u003cli\u003eAn authorial voice that combines the tenderness of childhood memory with the irreverence of contemporary humor.\u003c\/li\u003e\n\n\u003cli\u003eA stage proposal that values interruption and chaos as creative drivers.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Blanco, Cris\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escenicas y Musica\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Art\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 2024\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 80\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 160 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eSmall Cluster of Abysses\u003c\/em\u003e is a theatrical proposal that stands out for its formal boldness and its ability to surprise the reader. Cris Blanco constructs a text that refuses to be a simple autobiographical account, opting for a metatheatrical game that enriches the reading. The work is of particular interest to those looking for theater that reflects on its own mechanisms, without renouncing humor and genuine emotion. It is a brief but dense piece that invites multiple readings and will undoubtedly generate debate among its viewers and readers.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405069967707,"sku":"9788490414781","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041478.jpg?v=1781822269"},{"product_id":"9788490415351","title":"RESISTANCE THEATER","description":"\u003ch2\u003eTHEATER OF RESISTANCE\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis book chronicles the epic and moving story of the resistance of playwrights Lauro Olmo and Pilar Enciso against the eviction from their home in 1972. Through a narrative that combines social commitment and neighborhood struggle, the work documents how a couple of intellectuals defied the authorities to prevent the construction of a department store on the site of their home. The reader will discover a testimony of dignity and courage that transcends the personal to become a symbol of the struggle for memory and justice in the context of the late Franco era.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eOn February 11, 1972, after four years of protests and a year living besieged among ruins, Lauro Olmo and Pilar Enciso were forced to abandon their home. In a final gesture of resistance, they painted the door of their home with the colors of the Spanish flag to appeal to a 1945 decree that protected national honor. This act of dignity, known as the \"Numantia of real estate,\" became a symbol of the fight against urban speculation and repression. The work reconstructs this neighborhood battle and the authors' commitment to their community, showing how their intellectual integrity was manifested even in the most adverse circumstances.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eCivil resistance and peaceful disobedience against institutional power and real estate speculation.\u003c\/li\u003e\n\n\u003cli\u003eCommitment of the intellectual to their community and defense of historical memory.\u003c\/li\u003e\n\n\u003cli\u003eNeighborhood struggle and citizen mobilization as tools for social transformation.\u003c\/li\u003e\n\n\u003cli\u003ePersonal and family dignity in the face of adversity and eviction.\u003c\/li\u003e\n\n\u003cli\u003eCritique of the urban development of the late Franco period and its social consequences.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers interested in the social and political history of 20th-century Spain, especially neighborhood movements and resistance during the late Franco regime. It is also recommended for students and professionals of theater, sociology, and contemporary history, as well as for those looking for stories of civic courage and the fight for justice from a testimonial and documented perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA unique testimony of the resistance of two key figures of the Spanish theater, showing their facets as activists and defenders of their community.\u003c\/li\u003e\n\n\u003cli\u003eA detailed vision of the strategies of civil disobedience and neighborhood mobilization in a context of political repression.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the role of the intellectual and the artist in the defense of historical memory and fundamental rights.\u003c\/li\u003e\n\n\u003cli\u003eAn exciting and documented story that connects personal history with the collective struggle of a neighborhood.\u003c\/li\u003e\n\n\u003cli\u003eValuable material to understand the dynamics of urban speculation and popular resistance in the Spain of the seventies.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Lauro Olmo and Pilar Enciso\u003c\/li\u003e\n\n\u003cli\u003ePublisher: Documentation Center of the Performing Arts and D\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003eCollection: Non-collection\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: July 2025\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 309\u003c\/li\u003e\n\n\u003cli\u003eWeight: 1175 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial assessment\u003c\/h3\u003e\n\u003cp\u003eThis work offers a narrative of great historical and human value, rescuing an episode of civic resistance that transcends the local to become a symbol of collective dignity. The narration combines documentary rigor with the emotional force of a story of personal and neighborhood struggle, making it relevant reading for those seeking to understand the forms of social resistance during the late Franco regime. Its testimonial approach and its ability to connect intellectual commitment with citizen action position it as an outstanding title within the catalog of studies on historical memory and social movements in Spain.\u003c\/p\u003e","brand":"CENTRO DE DOCUMENTACION DE LAS ARTES ESCENICAS Y D","offers":[{"title":"Default Title","offer_id":53405070852443,"sku":"9788490415351","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041535.jpg?v=1781822306"},{"product_id":"9788490415306","title":"THE PATHETIC ONE","description":"\u003ch2\u003eTHE PATHÉTIQUE\u003c\/h2\u003e\n\u003ch3\u003eBook summary\u003c\/h3\u003e\n\u003cp\u003ePedro Berriel, a fifty-three-year-old orchestra conductor, immerses himself in the recording of Tchaikovsky’s Symphony No. 6. He is so absorbed in his work that he naturally accepts the Russian composer accompanying him during rehearsals. However, this peculiar hallucination hides a deeper truth: Berriel is facing the terminal stage of an illness. The work explores the struggle to complete an artistic creation as a form of resistance against death, intertwining existential anguish with the redemptive power of music.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play follows Pedro Berriel, an orchestra conductor who, in the midst of recording Tchaikovsky’s Pathétique, experiences the presence of the Russian composer as a constant interlocutor. As Berriel attempts to perfect every note, the reality of his terminal illness takes hold. The symphony, known for its emotional charge and mysterious message, becomes a mirror of his own struggle. Through imaginary dialogues with Tchaikovsky and immersion in the score, Berriel confronts his fears, his artistic legacy, and the inevitability of the end. The plot moves between musical rehearsal and intimate reflection, creating a drama where artistic creation stands as an act of resistance against death.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eArtistic creation as resistance to death.\u003c\/li\u003e\n\n\u003cli\u003eTerminal illness and existential anguish.\u003c\/li\u003e\n\n\u003cli\u003eThe power of music as a vehicle for emotional expression.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between the artist and their work, and the search for a legacy.\u003c\/li\u003e\n\n\u003cli\u003eDelirium and hallucination as coping mechanisms.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eRecommended for readers interested in contemporary theater that addresses existential and emotional themes. Especially attractive to those who appreciate works that explore the creative process, the relationship with classical music, and reflections on mortality. Also for those looking for theatrical texts with a strong psychological and dramatic charge.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA profound reflection on artistic creation as a response to human finitude.\u003c\/li\u003e\n\n\u003cli\u003eAn immersion into the universe of classical music, specifically Tchaikovsky’s Pathétique Symphony.\u003c\/li\u003e\n\n\u003cli\u003eAn intimate and moving portrait of a character facing his own mortality.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical experience that combines reality and delirium, offering a unique perspective on grief and resistance.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e DEL ARCO, MIGUEL\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e FUERA COLECCION\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e July 2025\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 119\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 320 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThe Pathétique is a theatrical work that sensitively combines existential drama with the musical universe. Miguel del Arco constructs a character trapped between the reality of his illness and the need to complete his work, offering a text that invites reflection on art as resistance. The piece stands out for its ability to move and provoke thought, becoming an interesting proposal for those seeking theater that transcends mere entertainment and delves into the fundamental questions of life.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405070885211,"sku":"9788490415306","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041530.jpg?v=1781822307"},{"product_id":"9788490415177","title":"GRRRL","description":"\u003ch2\u003eGRRRL\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eGRRRL\u003c\/em\u003e is a collection of thirteen tales of resistance that explore the cracks in the system from a contemporary, feminine perspective. The author, Sara García Pereda, constructs everyday scenes that transform into acts of defiance: a literary tribunal debating the consequences of awarding four women, a girl organizing a sit-in on a school soccer field, a runner causing a traffic jam to keep from stopping, or a young woman deciding to take everything that had always been served to her halfway. Each story is a roar born when words and theories are no longer enough, offering the reader a theatrical work that questions, moves, and shakes.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe work gathers thirteen short pieces that function as snapshots of female resistance in different walks of life. Through apparently simple situations, Sara García Pereda reveals the tensions and inequalities underlying the everyday. From a literary prize confronting its own prejudices to a girl challenging recess rules, each story shows how women, at different ages and in different contexts, find creative and forceful ways to say \"enough.\" The book does not offer solutions or morals, but rather exposes the power of the gesture, the word, and silence as tools for transformation. It is a text that invites us to think of theater as a space for denunciation and catharsis.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFemale resistance and empowerment in daily life\u003c\/li\u003e\n\n\u003cli\u003eQuestioning structures of power and privilege\u003c\/li\u003e\n\n\u003cli\u003eChildhood as a space of subversion and awareness\u003c\/li\u003e\n\n\u003cli\u003eThe body and movement as political acts\u003c\/li\u003e\n\n\u003cli\u003eThe tension between theory and action in the feminist struggle\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers and spectators interested in contemporary dramaturgy with a gender perspective, as well as theater students and professionals looking for short, powerful, and scenically suggestive texts. It will also be of interest to those who enjoy fragmentary narrative that approaches the female experience through irony, rage, and tenderness. It is a recommended work for reading groups, playwriting workshops, and anyone who wants to reflect on the small acts of resistance that transform the world.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA fresh and challenging look at female resistance in daily life\u003c\/li\u003e\n\n\u003cli\u003eThirteen short theatrical pieces, ideal for staged readings or stage productions\u003c\/li\u003e\n\n\u003cli\u003eAn approach that connects the personal with the political without losing emotion or humor\u003c\/li\u003e\n\n\u003cli\u003eInspiring material for stage creators interested in gender issues\u003c\/li\u003e\n\n\u003cli\u003eA work that invites debate and collective reflection on the limits of tolerance\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e GARCIA PEREDA, SARA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATER THEORY AND HISTORY\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e April 2025\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 136\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 240 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eGRRRL\u003c\/em\u003e presents itself as a brave and necessary scenic proposal within the contemporary theatrical landscape. Sara García Pereda manages to condense into thirteen short pieces a dramatic power that appeals to both emotion and critical consciousness. Her direct, uncompromising style and her ability to find the extraordinary in the ordinary make this book a useful tool for creators, teachers, and readers seeking theater that not only entertains, but also stirs. A work that will undoubtedly find an echo in those who believe art can be a roar.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405070950747,"sku":"9788490415177","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041517.jpg?v=1781822310"},{"product_id":"9788490414903","title":"PLAY !","description":"\u003ch2\u003ePLAY !\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA contemporary play that explores the tensions between children's play and the demands of the adult world. Set in December 2023, the piece follows a group of children who want to play, sparking a reflection on mothers' lack of time, the omnipresence of screens, and parental contradictions. With a critical and emotional focus, the author invites the reader to question the priorities of today's society and the value of play in childhood.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play is set in December 2023, when a group of children decides to play. From this seemingly simple action, the plot delves into the complexities of family relationships and modern dynamics. The little ones face the reality that mom never has time to play with them and that dad won't let them use their phones, even though he uses his constantly. The story reveals the contradictions and frustrations that arise at home, offering a sharp look at how obligations and technology condition quality time in the family.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe value of play as a childhood necessity versus adult responsibilities.\u003c\/li\u003e\n\n\u003cli\u003eThe generational gap in the use of technology and screens.\u003c\/li\u003e\n\n\u003cli\u003eParental contradictions between prohibition and example.\u003c\/li\u003e\n\n\u003cli\u003eThe lack of time and attention in contemporary family relationships.\u003c\/li\u003e\n\n\u003cli\u003eSocial criticism of the rhythms of life that limit shared leisure.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eRecommended for readers interested in contemporary theater, education and performing arts professionals, parents looking to reflect on parenting, and anyone who wishes to explore family dynamics from a critical and current perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA lucid and emotional vision of the conflict between children's play and adult demands.\u003c\/li\u003e\n\n\u003cli\u003eTools to reflect on the use of technology at home and its impact on coexistence.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical text that invites debate on parental roles and time management.\u003c\/li\u003e\n\n\u003cli\u003eA short but profound work, ideal for school performances or theater groups.\u003c\/li\u003e\n\n\u003cli\u003eA stimulus to rethink family priorities in the digital age.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Goiricelaya Buron, Maria\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escenicas y Musica\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Theory and History of Theater\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e March 2024\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 92\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 220 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eA theatrical proposal that connects with the current concerns of many families. The play stands out for its ability to address everyday topics with sensitivity and without moralizing, offering a space for reflection for both the individual reader and group work. Its brevity and direct approach make it a valuable resource for those seeking theater that engages with social reality.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405070983515,"sku":"9788490414903","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041490.jpg?v=1781822312"},{"product_id":"9788490412657","title":"History and Anthology of Spanish Theatre Criticism (1936–2016). Volume II","description":"\u003ch2\u003eHistory and Anthology of Spanish Theatre Criticism (1936-2016). Volume II\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis second volume is an essential reference work for understanding the evolution of critical thought on theatre in Spain from 1936 to 2016. The reader will find a carefully curated selection of critical texts that analyze, from multiple perspectives, the most significant plays, authors, and theatrical trends of this period. More than a simple compilation, this book provides the keys to interpreting the dialogue between theatrical creation and its critical reception over eight decades of history.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThis volume delves into the analysis of Spanish theatrical criticism during a complex and transformative historical period. Through an anthology of representative texts, the work examines how critics have interpreted and evaluated stage productions from the Civil War to the present day. It addresses the various aesthetic currents, ideological debates, and key figures that have marked the evolution of theatre in Spain, offering a panoramic and documented vision of the critical reception of these works. The selection of texts allows the reader to trace the evolution of critical language and evaluation criteria over time.\u003c\/p\u003e\n\u003ch3\u003eMain Topics\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAnalysis of theatre criticism as a literary and journalistic genre in the Spanish context.\u003c\/li\u003e\n\n\u003cli\u003eEvolution of aesthetic and intellectual currents in 20th and 21st-century Spanish theatre.\u003c\/li\u003e\n\n\u003cli\u003eStudy of the critical reception of fundamental authors and works of the Spanish stage.\u003c\/li\u003e\n\n\u003cli\u003eRelationship between theatre criticism, historical context, and social transformations.\u003c\/li\u003e\n\n\u003cli\u003eAnthology of representative critical texts from different eras and sensibilities.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at researchers, students, and professionals in the performing arts, literature, and cultural journalism. It will also be of great interest to theatre critics, playwrights, stage directors, and any reader with a solid background or a deep interest in the history of Spanish theatre and its critical analysis.\u003c\/p\u003e\n\u003ch3\u003eWhat this book provides\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAccess to a representative selection of critical texts fundamental to understanding the history of recent Spanish theatre.\u003c\/li\u003e\n\n\u003cli\u003eA contextualized and documented vision of the dialogue between stage creation and its critical reception.\u003c\/li\u003e\n\n\u003cli\u003eTools for understanding the evolution of aesthetic criteria and analytical methodologies in theatre criticism.\u003c\/li\u003e\n\n\u003cli\u003eAn essential reference resource for academic research and specialized study.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Data\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Various Authors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e THEATRE STUDIES, PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRE THEORY AND HISTORY\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e March 2017\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 608\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 1000 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThis work is presented as an indispensable resource for the specialized study of theatre criticism in Spain. Its value lies in the rigorous selection of texts which, together, map out the intellectual landscape of stage reception over eighty years. For the reader interested in the theory and history of theatre, it offers a unique perspective on how the Spanish stage has been contemplated and valued, becoming a primary reference and study tool.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071016283,"sku":"9788490412657","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041265.jpg?v=1781822315"},{"product_id":"9788490415399","title":"EUROPE COLLAPSE","description":"\u003ch2\u003eEUROPA CATACRACK\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn \u003ci\u003eEuropa Catacrack\u003c\/i\u003e, Maite Pérez Astorga offers us a theatrical work that reflects on the fragility of European ideals in the face of contemporary crises. Through a powerful dramatic structure and suggestive scenic language, the author explores the tension between the construction of bridges and the temptation of isolation. The reader will find a text that, through fiction, questions memory, identity, and faith in humanity, becoming a literary and theatrical experience of great emotional and political significance.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play presents a symbolic scenario where the European project faces a profound crisis, a \"catacrack\" that puts the foundational values of solidarity and openness to the test. Drawing from the text's dedication—which pays tribute to those who choose the bridge over the wall—the plot is articulated around crucial decisions that define the collective destiny. The characters navigate between hopelessness and resistance, embodying dilemmas about belonging, exclusion, and the possibility of rebuilding a common future. The work does not offer easy answers, but instead immerses the spectator or reader in an ethical and existential debate about what it means to be European in times of fracture.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe crisis of European values and community identity.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between openness to the other and identity withdrawal.\u003c\/li\u003e\n\n\u003cli\u003eHistorical memory as a tool for facing the present.\u003c\/li\u003e\n\n\u003cli\u003eFaith in humanity as an act of resistance against hopelessness.\u003c\/li\u003e\n\n\u003cli\u003eTheater as a space for political and social reflection.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers and spectators interested in contemporary theater with social and political content, as well as students and professionals in the performing arts seeking texts that address the great dilemmas of our time. It will also be of great interest to those reflecting on the future of Europe, migration, cultural identity, and the construction of inclusive societies.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA critical and poetic look at the crisis of the European project, far removed from simplistic discourses.\u003c\/li\u003e\n\n\u003cli\u003eA high-quality theatrical text with the potential to be performed and debated in scenic and academic spaces.\u003c\/li\u003e\n\n\u003cli\u003eThe opportunity to connect emotionally and intellectually with fundamental questions about coexistence and humanity.\u003c\/li\u003e\n\n\u003cli\u003eA literary experience that combines the force of drama with the depth of the political essay.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e PEREZ ASTORGA, MAITE\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEdition date:\u003c\/strong\u003e October 2025\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 162\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial assessment\u003c\/h3\u003e\n\u003cp\u003e\u003ci\u003eEuropa Catacrack\u003c\/i\u003e is a work that succeeds in placing the debate on the future of Europe within the realm of theatrical fiction, where ideas are embodied in characters and conflicts. The author achieves a balance between political urgency and literary quality, offering a text that invites both performance and reflective reading. Its restrained yet incisive tone, and its ability to generate questions rather than certainties, make it a relevant proposal for those seeking theater committed to its time. It is, without a doubt, a work that deserves to be known and discussed in the field of performing arts and critical thinking.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405071049051,"sku":"9788490415399","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041539.jpg?v=1781822316"},{"product_id":"9788490414262","title":"THE BOOK OF SICILY","description":"\u003ch2\u003eTHE BOOK OF SICILY\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA rave in an abandoned village becomes the setting for a revealing encounter. A man and a woman attend the celebration, but everything changes when they run into a man who is the living memory of Gibellina, a Sicilian town devastated by an earthquake in 1968. This play explores how a body can contain the history of an entire place, the pilgrimage of a people who decide to rebuild elsewhere, and fertility rituals in a land that no longer bears fruit. A reflection on identity, displacement, and the Mediterranean we share.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play begins in the context of a rave held in an abandoned village. There, a man and a woman meet a character who embodies the memory of Gibellina, a Sicilian town destroyed by an earthquake in 1968. This man is, in himself, an island: a repository of memories of a place that no longer exists physically. From this encounter, the plot unfolds to explore how an entire town migrates to rebuild itself elsewhere, and how bodies attempt to preserve the memory of what was lost. The play delves into a fertility rite in an infertile land, posing questions about what we can learn today from the history of Gibellina and what Mediterranean we share as a common heritage.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eCollective memory and its incarnation in the human body\u003c\/li\u003e\n\n\u003cli\u003eNatural disaster and the reconstruction of a people's identity\u003c\/li\u003e\n\n\u003cli\u003eDisplacement and pilgrimage as a community experience\u003c\/li\u003e\n\n\u003cli\u003eFertility rituals in contexts of loss and abandonment\u003c\/li\u003e\n\n\u003cli\u003eThe Mediterranean as a shared space of stories and tragedies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater that addresses social and historical issues from a poetic and symbolic perspective. It is also for those looking for theatrical texts that reflect on memory, displacement, and the capacity of communities for reconstruction. It is especially relevant for students and professionals of the performing arts, as well as for anyone interested in the history of Sicily and the Mediterranean.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA theatrical and poetic look at a real historical event: the 1968 Gibellina earthquake\u003c\/li\u003e\n\n\u003cli\u003eA reflection on how the memory of a place can survive in the people who inhabited it\u003c\/li\u003e\n\n\u003cli\u003eAn exploration of human rituals as a way of resisting oblivion and loss\u003c\/li\u003e\n\n\u003cli\u003eA short but dense work, ideal for stage productions or staged readings\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Details\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e FIDALGO LAREO, PABLO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 60\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThe Book of Sicily is a theatrical proposal that combines the power of a historical event with symbolic and evocative writing. In 60 pages, Pablo Fidalgo Lareo manages to condense a profound reflection on memory, inner exile, and the ability of peoples to reinvent themselves after a catastrophe. Its structure, which starts from a chance encounter at a rave, allows for the past and present to be connected organically. It is a work that will resonate with those looking for theater that is committed to reality, but also poetic and open to multiple interpretations.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405071114587,"sku":"9788490414262","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041426.jpg?v=1781822317"},{"product_id":"9788490414231","title":"SOME DAYS","description":"\u003ch2\u003eSOME DAYS\u003c\/h2\u003e\n\u003ch3\u003eBook summary\u003c\/h3\u003e\n\u003cp\u003eSome Days is a play by playwright and actress Cristina Rojas that explores the fissures of memory and the passage of time through everyday life. With a sensitive gaze and precise stage writing, the author constructs a text that invites the reader to pause on those moments that, however brief, define our existence. A proposal that combines the power of contemporary theater with personal introspection, ideal for those seeking a literary experience that connects emotion and reflection.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eSome Days immerses us in a series of apparently ordinary moments that, nevertheless, become the stage for profound conflicts and intimate revelations. Through a fragmentary and poetic structure, the work investigates how small gestures, unspoken words, and silences can transform the perception of reality. Cristina Rojas weaves a narrative where time dilates and contracts, offering the reader a theatrical experience that transcends the stage to challenge one's own life.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMemory and its fragmentary construction in daily life.\u003c\/li\u003e\n\n\u003cli\u003eThe passage of time as a transforming agent of human relationships.\u003c\/li\u003e\n\n\u003cli\u003eIntrospection and self-knowledge through the seemingly trivial.\u003c\/li\u003e\n\n\u003cli\u003eThe tension between what is said and what is left unsaid in emotional bonds.\u003c\/li\u003e\n\n\u003cli\u003eThe poetics of the domestic as a space for dramatic revelation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater and auteur dramaturgy, as well as students and professionals of the performing arts who seek texts with a unique voice and an introspective gaze. It will also be attractive to those who enjoy literature that explores character psychology and the subtlety of everyday emotions.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA reading experience that combines the power of theater with the depth of intimate narrative.\u003c\/li\u003e\n\n\u003cli\u003eAn original vision of memory and time, far from the clichés of conventional drama.\u003c\/li\u003e\n\n\u003cli\u003eA text that invites personal reflection and the reinterpretation of seemingly insignificant moments.\u003c\/li\u003e\n\n\u003cli\u003eA work that enriches the repertoire of contemporary Spanish dramaturgy with an established female voice.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical data\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e ROJAS, CRISTINA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e January 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 122\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 245 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eSome Days presents itself as a solid and coherent theatrical proposal, consistent with the trajectory of Cristina Rojas, an author who combines her experience as an actress with highly sensitive stage writing. The text stands out for its ability to capture the essence of the everyday and transform it into dramatic material, offering the reader a work that invites both individual reading and staging. It is a wise choice for those looking for contemporary theater that dialogues with emotion and reflection without sacrificing literary quality.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405071212891,"sku":"9788490414231","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041423.jpg?v=1781822319"},{"product_id":"9788490414217","title":"ABBY\/IZZY: UNDERGROUND CHRONICLES","description":"\u003ch2\u003eABBY\/IZZY: UNDERGROUND CHRONICLES\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn this work, the reader will find a contemporary theatrical proposal that explores the hidden dynamics of the underground world. Through the voices of Abby and Izzy, Jorge Aznar Canet builds a chronicle that combines the intensity of drama with a critical look at the fringes of society. Its primary value lies in its ability to portray the complexity of human relationships in spaces of resistance and survival.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play immerses us in the underground universe through two central characters, Abby and Izzy, whose stories intertwine in a setting of tension and secrets. The plot unfolds in a context where conventional norms are suspended, giving way to a game of power, loyalty, and betrayal. Aznar Canet uses theatrical language to lay bare the emotions and conflicts that emerge when characters navigate a hostile territory, where every decision can be final. The narrative moves at a pace that keeps the viewer's attention, revealing layers of meaning as it delves into the psychology of the protagonists.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMarginalization and life in the city's underground spaces\u003c\/li\u003e\n\n\u003cli\u003ePower dynamics and survival in hostile environments\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between individual identity and group demands\u003c\/li\u003e\n\n\u003cli\u003eThe search for freedom in a context of oppression and control\u003c\/li\u003e\n\n\u003cli\u003eLoyalty and betrayal as driving forces of the plot\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers and viewers interested in contemporary auteur theater, especially those who value plots with psychological and social weight. It will also be attractive to students and professionals of the performing arts looking for texts that address the complexity of human relationships from a critical and contemporary perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA deep and nuanced vision of underground dynamics, far from simplistic stereotypes\u003c\/li\u003e\n\n\u003cli\u003eA theatrical text that invites reflection on the limits of morality and survival\u003c\/li\u003e\n\n\u003cli\u003eWell-constructed characters that generate empathy and debate in the reader\u003c\/li\u003e\n\n\u003cli\u003eA narrative structure that maintains interest and surprises with unexpected twists\u003c\/li\u003e\n\n\u003cli\u003eQuality material for stage productions or the study of contemporary dramaturgy\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Aznar Canet, Jorge\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escenicas y Musica\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Theatrical works\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e November 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 136\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 265 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003eThis work by Jorge Aznar Canet stands as a solid proposal within contemporary Spanish-language theater. Its focus on the underground and power dynamics offers rich material for both individual reading and stage performance. The author's background in philology and his acting experience are reflected in a text that is attentive to language and dramatic construction, making it an interesting option for those seeking new voices in the current theatrical landscape.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405071245659,"sku":"9788490414217","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041421.jpg?v=1781822321"},{"product_id":"9788490412954","title":"The Tomb of María Zambrano. A poetic piece in a dream","description":"\u003ch2\u003eThe Tomb of María Zambrano. A Poetic Piece in a Dream\u003c\/h2\u003e\n\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis theatrical piece by Nieves Rodríguez Rodríguez offers a poetic and symbolic work that, through an encounter between a starving child and the philosopher María Zambrano, denounces social issues such as inequality, silenced violence, and stagnant education. The work explores the search for an essential word that can nourish the human being in the face of political and social uncertainty, bridging philosophical reflection with the urgency of historical memory.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eOn a summer night, a Starving Child takes refuge in a cemetery and speaks the words from the epitaph on María Zambrano's tomb: \"Arise, my friend, and come.\" Upon invoking her, Zambrano appears alongside María Niña and offers him food. However, outside the cemetery, many people continue to go hungry. Faced with this reality, Zambrano embarks on a desperate search for the final word, the one she was already pursuing in 1988 when she became the first woman to receive the Cervantes Prize: the lost word, the unique word, the secret of divine-human love. A word that, in the midst of social and political uncertainty, can nourish and offer peace.\u003c\/p\u003e\n\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDenunciation of child hunger and inequality of opportunity\u003c\/li\u003e\n\n\u003cli\u003eInvisible violence and crimes omitted during the dictatorship\u003c\/li\u003e\n\n\u003cli\u003eThe search for the essential word as spiritual and social nourishment\u003c\/li\u003e\n\n\u003cli\u003eThe philosophical and human legacy of María Zambrano\u003c\/li\u003e\n\n\u003cli\u003eHistorical memory and disappeared bodies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater with a social and philosophical burden, as well as those seeking texts that address historical memory, inequality, and critical thinking. It is also recommended for students and lovers of María Zambrano's work, as well as theater professionals who wish to explore a poetic piece with strong symbolic and protest content.\u003c\/p\u003e\n\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA deep reflection on the power of the word to transform social and political realities.\u003c\/li\u003e\n\n\u003cli\u003eA poetic and symbolic gaze that connects philosophy with social denunciation.\u003c\/li\u003e\n\n\u003cli\u003eA work that makes visible historical and contemporary problems such as hunger, gender inequality, and silenced violence.\u003c\/li\u003e\n\n\u003cli\u003eA tribute to the thought of María Zambrano and her search for a word that nourishes the human spirit.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: RODRIGUEZ RODRIGUEZ, NIEVES\u003c\/li\u003e\n\n\u003cli\u003ePublisher: National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: THEATER STUDIES, POETRY, PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: March 2018\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 88\u003c\/li\u003e\n\n\u003cli\u003eWeight: 175 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis theatrical piece stands out for its ability to fuse poetry with social criticism, offering a short but intense work that invites reflection. The author succeeds in articulating the philosophical legacy of María Zambrano with the urgency of current problems, creating a text that challenges both the reader and the spectator. It is a work recommended for those looking for committed, symbolic theater with a strong emotional and political charge.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071311195,"sku":"9788490412954","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041295.jpg?v=1781822324"},{"product_id":"9788490412121","title":"The storms","description":"\u003ch2\u003eThe Temps\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA play that portrays work-related suffocation in an environment where employees have accepted endless hours, reducing their lives to the confines of the office. The fainting of Olivia, a worker, triggers a visit from Samuel, a coach who suggests that being fired is her only cure. The play raises a reflection on the possibility of surviving a savage labor model without falling ill, while addressing the social pressure to self-actualize and fulfill one's dreams. A tribute to those who, knowing they are in the wrong place, have not been able to articulate their own desire.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe plot unfolds inside an office where the employees of \"The Temps\" have internalized a work dynamic that consumes all their energy. The physical collapse of Olivia, a worker who faints, acts as a catalyst for the arrival of Samuel, an external coach. This character introduces a perspective that challenges the status quo: he suggests that the only path to salvation for Olivia is dismissal, a radical break from the system that oppresses her. The play not only denounces precariousness and labor exploitation, but also examines the social demand for constant self-actualization and the difficulty of recognizing and expressing one's own desires when trapped in an environment that prevents reflection.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eLabor exploitation and precariousness in the office environment.\u003c\/li\u003e\n\n\u003cli\u003eMental health and the physical cost of work pressure.\u003c\/li\u003e\n\n\u003cli\u003eThe figure of the coach as a management tool and its contradictions.\u003c\/li\u003e\n\n\u003cli\u003eThe social pressure for self-actualization and the fulfillment of dreams.\u003c\/li\u003e\n\n\u003cli\u003eThe difficulty of formulating one's own desire when in a stifling environment.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eFor readers interested in contemporary theater that addresses current social and labor issues. Also for professionals in the fields of human resources, occupational psychology, or coaching who are looking for a critical perspective on talent management and well-being at work. Likewise, for anyone who has felt the pressure of a demanding work environment and questions the prevailing model of productivity.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA critical and theatrical look at labor precariousness and its psychological consequences.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the social pressure for self-actualization and professional success.\u003c\/li\u003e\n\n\u003cli\u003eAn analysis of the figure of the coach and their role in managing job dissatisfaction.\u003c\/li\u003e\n\n\u003cli\u003eA tribute to those who fail to express their desire for change in oppressive environments.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Carballal, Lucía\u003c\/li\u003e\n\n\u003cli\u003ePublisher: National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003eBinding: Other\u003c\/li\u003e\n\n\u003cli\u003eEdition date: January 2016\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 110\u003c\/li\u003e\n\n\u003cli\u003eWeight: 190 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eA play that connects directly with the concerns of the contemporary working world. Its ability to address complex issues such as precariousness, mental health, and social pressure within a theatrical format makes it a relevant read for those seeking engaged and topical theater. Carballal’s proposal offers a critical perspective that invites reflection without falling into simplifications, and is particularly pertinent in a context where the debate on the quality of life at work is more relevant than ever.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071409499,"sku":"9788490412121","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041212.jpg?v=1781822330"},{"product_id":"9788490412022","title":"The Villain of Getafe","description":"\u003ch2\u003eThe Villainess of Getafe\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis comedy by Lope de Vega, performed by the CNTC's Young Company, explores the conflict between social classes through a dynamic and witty plot. The play presents a profound reflection on social prejudices and the authenticity of feelings, highlighting the strength and cunning of a woman who challenges the conventions of her time. A fundamental text for understanding the evolution of Spanish classical theater and its relevance on the contemporary stage.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe story focuses on the social differences between courtiers and peasants, an abyss that dictates the relationships and destinies of the characters. The protagonist, a villager from Getafe, is forced to adopt different attitudes and strategies to demonstrate her courage and defend her position in a world dominated by class prejudices. Lope de Vega weaves a comedy of errors where love and honor clash with rigid social structures, questioning the true nature of feelings when they collide with appearances and status.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSocial class conflict between the courtly nobility and the peasantry.\u003c\/li\u003e\n\n\u003cli\u003eFemale strength and cunning as a tool to overcome social barriers.\u003c\/li\u003e\n\n\u003cli\u003eThe authenticity of feelings versus social prejudices and conventions.\u003c\/li\u003e\n\n\u003cli\u003eHonor and personal identity in a context of inequality.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eStudents and professionals in the performing arts, theater directors, actors, and playwrights interested in the Spanish classical repertoire. It is also an essential read for lovers of Lope de Vega's theater and the Golden Age, as well as for readers looking for a comedy with social undertones and strong female characters.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA dynamic theatrical text representative of Lope's comedy, ideal for stage productions.\u003c\/li\u003e\n\n\u003cli\u003eA critical and current look at class differences and gender roles in society.\u003c\/li\u003e\n\n\u003cli\u003eA work that combines entertainment and reflection, maintaining its relevance in contemporary theater.\u003c\/li\u003e\n\n\u003cli\u003eAn example of Lope de Vega's literary wit, with agile dialogues and a polished dramatic structure.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Lope de Vega y Carpio, Félix\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Theater direction and production, Plays, Theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e January 2016\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 454 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eA timely edition of a minor classic by Lope de Vega that, nevertheless, encapsulates the author's great themes: honor, love, and social criticism. Its inclusion in the CNTC Young Company's repertoire underscores its stage potential and its ability to engage with current concerns about inequality and female empowerment. Recommended for theater professionals looking for a compelling text and for readers who want to discover a lesser-known facet of the \"Phoenix of Wits.\"\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071442267,"sku":"9788490412022","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041202.jpg?v=1781822331"},{"product_id":"9788490411452","title":"The dark city","description":"\u003ch2\u003eThe Dark City\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA theatrical work that explores the shadows of Spain's recent history through a plot of suspense and mystery. The suicide of a jockey acts as a trigger for a writer in crisis, a police inspector, and a young woman searching for her origins to confront the ghosts of the past and present. \u003cem\u003eThe Dark City\u003c\/em\u003e is a literary exorcism that uses theater to confront a nation's open wounds, combining horse racing, political conspiracies, and parapsychology.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play begins with the suicide of a jockey, an event that reopens old collective wounds. From this event, three characters become narrators of a story that investigates Spain's past and future. A down-on-his-luck writer, a police inspector, and a young woman searching for her origins weave a plot where reality mixes with the paranormal. The piece suggests that the country's history can be understood as a horror story, a haunted house populated by political specters and emotional chains. In this city darkened by manipulation and fear, horse racing, fascist conspiracies, and parapsychology intertwine with literature, presented as the only possible exorcism to face the ghosts that inhabit us.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHistorical memory and the unresolved wounds of the Spanish Transition.\u003c\/li\u003e\n\n\u003cli\u003ePolitical manipulation and conspiracies as mechanisms of social control.\u003c\/li\u003e\n\n\u003cli\u003eLiterature and theater as tools for exorcism and confrontation with the past.\u003c\/li\u003e\n\n\u003cli\u003eThe search for identity and origins in a context of uncertainty.\u003c\/li\u003e\n\n\u003cli\u003eThe presence of the paranormal as a metaphor for collective traumas.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers and viewers interested in contemporary Spanish theater that addresses political and social issues. It is also recommended for those seeking works that blend realism with elements of suspense and psychological horror, as well as for students and professionals of the performing arts who wish to explore new dramaturgy regarding national identity.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original and critical perspective on Spain's recent history through a suspense plot.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the power of artistic creation as a tool for facing collective traumas.\u003c\/li\u003e\n\n\u003cli\u003eA choral narrative structure that intertwines the voices of three characters in search of answers.\u003c\/li\u003e\n\n\u003cli\u003eA brief and intense work, ideal for study, performance, or reading in a single sitting.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Sheet\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Rojano, Antonio\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 2015\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 42\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 200 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThis is a compact theatrical proposal of great symbolic density, which uses the horror genre as a vehicle for political and emotional reflection. The play stands out for its ability to condense into a few pages a critique of historical manipulation and the ghosts that still persist in Spanish society. Its choral structure and oppressive atmosphere make it an attractive text both for individual reading and for staging, especially for audiences interested in engaged, auteur theater.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071737179,"sku":"9788490411452","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041145.jpg?v=1781822345"},{"product_id":"9788490411292","title":"The sardine fillet","description":"\u003ch2\u003eThe Sardine's Breast\u003c\/h2\u003e\n\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis play by Lauro Olmo, published by the National Institute of Performing Arts and Music, presents a drama where the environment becomes the true protagonist. Through rhythmic contrasts between indoor spaces and the street, the author builds a stifling atmosphere that conditions the characters. Published in 2015 as part of the OBRAS TEATRALES collection, this edition commemorates the twentieth anniversary of the playwright's passing and marks the first time one of his works has premiered at a National Drama Center.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe work is articulated around the power of dramatic situations arising from contrasts. The narrative rhythm moves between the slowness of indoor spaces and the swiftness of the street, creating a tension that shapes the great character that conditions everything else: the environment. This setting acquires a stifling and devitalizing power that oppresses the protagonists, leading them toward final chimes of deep pathos. The piece offers a reflection on how prejudices and small pseudo-dogmas act as shackles that hinder the unfolding of life.\u003c\/p\u003e\n\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe oppression of the environment as a determining force on the characters.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between individual freedom and social bonds.\u003c\/li\u003e\n\n\u003cli\u003eThe critique of prejudices and dogmas that limit human development.\u003c\/li\u003e\n\n\u003cli\u003eThe contrast between the intimacy of the home and the harshness of the public space.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at theater students and professionals, researchers of contemporary Spanish dramaturgy, and readers interested in stage proposals that explore the social and existential dimension of human beings. It will also be of interest to those who wish to learn about the legacy of Lauro Olmo, a key figure of critical realism in 20th-century Spanish theater.\u003c\/p\u003e\n\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAccess to a fundamental work of contemporary Spanish theater, premiered for the first time at a National Drama Center.\u003c\/li\u003e\n\n\u003cli\u003eA deep reflection on how the social environment conditions the existence of individuals.\u003c\/li\u003e\n\n\u003cli\u003eA literary experience that combines dramatic strength with a narrative rhythm carefully constructed through contrasts.\u003c\/li\u003e\n\n\u003cli\u003eThe opportunity to learn about the work of Lauro Olmo, an author committed to social criticism and theatrical renewal.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eTechnical Data\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Olmo, Lauro\u003c\/li\u003e\n\n\u003cli\u003ePublisher: National Institute of Performing Arts and Music\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: OBRAS TEATRALES\u003c\/li\u003e\n\n\u003cli\u003eBinding: Other\u003c\/li\u003e\n\n\u003cli\u003ePublication date: January 2015\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 152\u003c\/li\u003e\n\n\u003cli\u003eWeight: 232 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThis edition of \"The Sardine's Breast\" holds significant symbolic and documentary value, as it is the first premiere of a work by Lauro Olmo at a National Drama Center, twenty years after his passing. The piece faithfully represents the author's style, characterized by a critical and humanistic gaze. For the reader interested in social theater and the evolution of the Spanish stage, this title offers a unique opportunity to access a text that combines dramatic strength with a careful construction of the environment as a central narrative element.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071835483,"sku":"9788490411292","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041129.jpg?v=1781822352"},{"product_id":"9788490411056","title":"Where there are grievances, there is no jealousy.","description":"\u003ch2\u003eWhere There Are Grievances, There Is No Jealousy\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis edition presents the text of one of the most brilliant comedies of the Spanish Golden Age, written by Francisco de Rojas Zorrilla and performed by the National Classical Theater Company. The play, which enjoyed great success in its time and was a reference for European playwrights such as Scarron and Davenant, ingeniously explores the boundaries between honor, jealousy, and love. The reader will find a masterpiece of classical comedy, rescued from oblivion, which offers a unique opportunity to delve into the mechanisms of humor and the complexity of characters struggling to redeem their haphazard lives.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play poses a classic conflict of Baroque theater: the tension between honor and jealousy. Rojas Zorrilla constructs a plot where the characters, trapped in romantic entanglements and extreme situations, face the dilemma of defending their reputation or yielding to the impulses of the heart. Through agile dialogue and comic situations, the comedy deconstructs the rigid codes of honor to show that, when grievances are involved, jealousy loses its reason for being. The edition includes the complete text of the performance, allowing the reader to appreciate the theatrical technique, character development, and wit that turned this piece into a benchmark of classical theater.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n    \u003cli\u003eThe conflict between honor and jealousy in Golden Age theater.\u003c\/li\u003e\n\n    \u003cli\u003eComedy as a tool for reflecting on human passions.\u003c\/li\u003e\n\n    \u003cli\u003eThe development of complex characters seeking a second chance.\u003c\/li\u003e\n\n    \u003cli\u003eThe influence of Spanish classical theater on 17th-century European dramaturgy.\u003c\/li\u003e\n\n    \u003cli\u003eThe rescue and valorization of a forgotten comedy from the classical repertoire.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at students and scholars of Golden Age literature, theater professionals, and fans of classical comedy. It will also interest readers who wish to discover a less widespread but fundamental piece by Rojas Zorrilla, as well as those seeking to understand the mechanisms of comedy and the evolution of the theatrical genre in Spain.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n    \u003cli\u003eAccess to the full text of a classical comedy performed by the National Classical Theater Company.\u003c\/li\u003e\n\n    \u003cli\u003eAn in-depth look at the codes of honor and jealousy in Baroque theater.\u003c\/li\u003e\n\n    \u003cli\u003eThe opportunity to discover a play that influenced European playwrights like Scarron and Davenant.\u003c\/li\u003e\n\n    \u003cli\u003eAn example of how comedy can address complex themes like love and revenge.\u003c\/li\u003e\n\n    \u003cli\u003eReference material for the study of Golden Age theatrical technique.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Rojas Zorrilla, Francisco de\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Nacional de las Artes Escénicas y de la\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e THEATRICAL WORKS\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Other\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eEdition date:\u003c\/strong\u003e November 2014\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\n    \u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 458 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis edition is of great interest to those who wish to delve into a classical comedy that, despite its historical relevance, has remained unjustly forgotten. The text, endorsed by the National Classical Theater Company, offers a rigorous opportunity to study the mechanisms of comedy and the evolution of the genre. It is recommended reading for both specialists and fans of Golden Age theater who are looking to expand their knowledge beyond the canonical titles.\u003c\/p\u003e","brand":"INSTITUTO NACIONAL DE LAS ARTES ESCÉNICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405071999323,"sku":"9788490411056","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041105.jpg?v=1781822359"},{"product_id":"9788490414118","title":"GREATNESS. THEATER, POETRY AND POLITICS IN THE SPAIN OF THE GOLDEN AGE","description":"\u003ch2\u003eGREATNESS. THEATER, POETRY, AND POLITICS IN THE SPAIN OF THE SIGLO DE\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis essay analyzes how political and religious power utilized theater and poetry during the Spanish Golden Age to construct an image of greatness and propaganda. The author unveils the mechanisms of social and cultural control that operated beneath a homogeneous surface, revealing the conflicts and tensions that official art attempted to hide. An essential work for understanding the complex relationships between artistic creation and power in 16th and 17th-century Spain.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe book examines the political and propagandistic function of theater and poetry in Golden Age Spain. The author starts from the concept of \"greatness\" as a tool of power to project an image of unity and splendor, masking the social and political contradictions of the era. Through the analysis of representative works and authors, it reveals how art became an instrument for the legitimization of monarchical and religious power, while beneath that brilliant surface, class conflicts, territorial tensions, and power struggles were simmering. The study dismantles the idealized vision of the period to offer a critical reading of its cultural manifestations.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe political instrumentalization of theater and poetry in the Spanish Golden Age.\u003c\/li\u003e\n\n\u003cli\u003eThe construction of the image of imperial greatness as a tool of propaganda.\u003c\/li\u003e\n\n\u003cli\u003eThe mechanisms of cultural and religious control exercised by those in power.\u003c\/li\u003e\n\n\u003cli\u003eThe social tensions and conflicts hidden behind apparent cultural unity.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between artistic patronage and political legitimization.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is intended for students and professionals in history, literature, theater, and art history, as well as readers interested in the relationships between culture and power. It is also of great utility to researchers of the Spanish Golden Age seeking a critical and updated perspective on the period.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA critical and demystifying look at the Spanish Golden Age, far removed from the traditional idealized vision.\u003c\/li\u003e\n\n\u003cli\u003eAnalytical tools for understanding how art can be used as an instrument of power and propaganda.\u003c\/li\u003e\n\n\u003cli\u003eA rigorous study of the connections between cultural production, politics, and religion in a key historical period.\u003c\/li\u003e\n\n\u003cli\u003eA revealing reading of the conflicts and tensions that underlie the surface of imperial \"greatness.\"\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Condor, Maria\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escenicas y Musica\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Plays, theatrical texts, social and cultural history\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Historical essay, geography and history\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e May 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 196\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 494 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis work offers a solid and necessary contribution to the study of the Golden Age from a perspective that integrates cultural history and the analysis of power. Its critical approach, which unveils the contradictions of the period, makes it a valuable read both for specialists and for readers interested in understanding the complex relationship between art and politics. The clarity of the exposition and the documentary rigor make it accessible without sacrificing analytical depth.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405072654683,"sku":"9788490414118","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041411.jpg?v=1781822386"},{"product_id":"9788490415085","title":"SPARKS","description":"\u003ch2\u003eSPARKS\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eSparks\u003c\/em\u003e is a contemporary play written by Fernando Epelde as part of the 2023-2024 Dramatic Residencies program at the Centro Dramático Nacional. The 111-page piece offers a stage proposal that invites the reader to explore the tensions and flashes of the human condition through a theatrical text with a distinct literary character. Published by the Ministry of Culture and Sport, this work is presented in a carefully crafted paperback edition, ideal for theater professionals, drama students, and lovers of modern dramaturgy.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eSparks\u003c\/em\u003e is a theatrical text that emerged from a creative process supervised by the Centro Dramático Nacional, one of Spain's most relevant performing arts institutions. The work is part of the \"Encargos\" (Commissions) collection, which gathers pieces written by playwrights in residence. Although the synopsis does not detail the specific plot, the title suggests an exploration of moments of ignition—conflicts that arise from the friction between characters or ideas. The reader will find a work that likely delves into human relationships, emotional outbursts, or the sparks that ignite change, all from a contemporary dramatic perspective. It is a piece that reflects the pulse of current theatrical creation, with a language and structure characteristic of an author in the midst of developing their stage voice.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eContemporary Spanish dramaturgy\u003c\/li\u003e\n\n  \u003cli\u003eTheatrical creation in residence\u003c\/li\u003e\n\n  \u003cli\u003eHuman conflicts and relational tensions\u003c\/li\u003e\n\n  \u003cli\u003eProcesses of emotional ignition and change\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater, especially professionals and students of performing arts, dramaturgy, and stage direction. It will also be of interest to those who follow the output of the Centro Dramático Nacional and wish to discover new voices in the Spanish scene. It is a suitable read for lovers of dramatic literature who are looking for brief, current texts with a fresh look at the human condition.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eAccess to a work created within the prestigious Dramatic Residencies program of the Centro Dramático Nacional.\u003c\/li\u003e\n\n  \u003cli\u003eAn example of contemporary dramaturgy that reflects the current trends in Spanish theater.\u003c\/li\u003e\n\n  \u003cli\u003eStudy and analysis material for students and theater professionals interested in supervised creative processes.\u003c\/li\u003e\n\n  \u003cli\u003eAn agile and compact read (111 pages) that allows for a quick immersion into the author's universe.\u003c\/li\u003e\n\n  \u003cli\u003eAn official edition from the Ministry of Culture and Sport, which guarantees the quality and institutional backing of the work.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eAuthor: Fernando Epelde\u003c\/li\u003e\n\n  \u003cli\u003ePublisher: Ministry of Culture and Sport Document\u003c\/li\u003e\n\n  \u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n  \u003cli\u003eSubject: Plays, theatrical texts\u003c\/li\u003e\n\n  \u003cli\u003eCollection: Encargos\u003c\/li\u003e\n\n  \u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n  \u003cli\u003ePublication date: November 2024\u003c\/li\u003e\n\n  \u003cli\u003eNumber of pages: 111\u003c\/li\u003e\n\n  \u003cli\u003eWeight: 220 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial assessment\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eSparks\u003c\/em\u003e represents an opportunity to approach emerging Spanish dramaturgy backed by a leading institution. The work, the result of a creative residency process, offers a text that likely reflects the aesthetic and thematic concerns of a new generation of playwrights. For the reader interested in contemporary theater, this piece serves as a testament to the work being developed within the Centro Dramático Nacional, an added value for those who follow the evolution of the current Spanish scene.\u003c\/p\u003e","brand":"MINISTERIO DE CULTURA Y DEPORTE DOCUMENT","offers":[{"title":"Default Title","offer_id":53405072851291,"sku":"9788490415085","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041508.jpg?v=1781822395"},{"product_id":"9788490415078","title":"THE PARADISE SCREEN","description":"\u003ch2\u003eTHE PARADISE SCREEN\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn this work, the reader will find a contemporary theatrical text that explores the boundaries between reality and fiction through the metaphor of a folding screen. The play, written by Mar Gómez Glez within the prestigious Dramatic Residencies program of the National Dramatic Center, offers a profound reflection on the construction of identity and the perception of the world. The work's primary value lies in its ability to question the borders that separate the public from the private, inviting the spectator or reader on an introspective and poetic journey.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eThe Paradise Screen\u003c\/em\u003e is a theatrical piece that uses the object of the folding screen as a central element to investigate the fragmented nature of human experience. The play develops from the idea that a folding screen not only separates physical spaces but also acts as a device that conceals and reveals, creating parallel realities. Through her characters, the author explores how people construct their own versions of heaven and hell, and how the boundaries between both can be as thin as the fabric of a screen. The plot unfolds in a hall of mirrors where what is seen and what is hidden are intertwined, offering a theatrical experience that challenges traditional narrative conventions.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe construction of identity through fragmentation and concealment.\u003c\/li\u003e\n\n\u003cli\u003eThe duality between the public and the private, the visible and the invisible.\u003c\/li\u003e\n\n\u003cli\u003eThe perception of reality and fiction as interchangeable planes.\u003c\/li\u003e\n\n\u003cli\u003eHeaven and hell as metaphors for the human experience and its contradictions.\u003c\/li\u003e\n\n\u003cli\u003eTheater as a space for reflection on the limits of representation.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is especially recommended for readers and viewers interested in contemporary theater and experimental dramaturgy. It is ideal for drama students, theater professionals, cultural critics, and anyone looking for a stage proposal that combines poetry, philosophical reflection, and a critical look at the human condition. It will also be attractive to those who value literature that defies conventional narrative structures and invites an active and participatory reading.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA theatrical reading experience that stimulates imagination and personal reflection.\u003c\/li\u003e\n\n\u003cli\u003eA contemporary and original vision on universal themes such as identity and perception.\u003c\/li\u003e\n\n\u003cli\u003eThe opportunity to learn about a work created within the framework of a reference artistic residency program in Spain.\u003c\/li\u003e\n\n\u003cli\u003eA text that invites reinterpretation and performance, offering multiple layers of meaning.\u003c\/li\u003e\n\n\u003cli\u003eA valuable tool for analysis and discussion in academic or theatrical creation contexts.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Data\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Gomez Glez, Mar\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Ministry of Culture and Sport Document\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Commissions\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEdition Date:\u003c\/strong\u003e November 2024\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 94\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 195 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003eThis is a theatrical proposal of high interest for specialized audiences, endorsed by its origin in the Dramatic Residencies program of the National Dramatic Center. The author, Mar Gómez Glez, demonstrates a great ability to create a work that, starting from an everyday object, constructs a complex and evocative symbolic universe. Its brevity (94 pages) makes it an accessible read, but its thematic density makes it recommendable for those seeking a text that invites reflection and analysis. It is a work that will undoubtedly enrich the library of any lover of contemporary theater.\u003c\/p\u003e","brand":"MINISTERIO DE CULTURA Y DEPORTE DOCUMENT","offers":[{"title":"Default Title","offer_id":53405072884059,"sku":"9788490415078","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041507.jpg?v=1781822396"},{"product_id":"9788490414309","title":"ALFONSO THE AFRICAN","description":"\u003ch2\u003eAlfonso the African\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA play that dismantles the figure of Alfonso XIII through political and social satire. The monarch, obsessed with producing high-society pornographic films, neglects affairs of state while rumors of a Republic grow in the streets. With a critical and corrosive tone, the work explores the limits of power, the frivolity of the court, and the disconnection of a monarchy that prefers scandal to political reality. A text that combines dark humor and historical indictment.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eAlfonso XIII, known as \"the African,\" screens the pornographic films he has produced himself in his private room. However, the mockery from his companions regarding the actresses—women of the lower class and without appeal—wounds his pride. Determined to raise the quality of his productions, the king becomes obsessed with recruiting a woman from the aristocracy, a countess or marchioness willing to star in his films. Meanwhile, politicians and military figures warn him about the republican rumors spreading among the Madrid populace. But Alfonso, absorbed in his risqué project, ignores the warnings and orders his advisors to prioritize the search for this noble star. The plot advances toward an outcome where the price to be paid for his obsession proves to be as high as it is unpredictable.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe frivolity of power and the monarchy's disconnection from social reality.\u003c\/li\u003e\n\n\u003cli\u003ePolitical satire as a critique of corruption and abuse of authority.\u003c\/li\u003e\n\n\u003cli\u003eThe conflict between institutional duties and the monarch's personal desires.\u003c\/li\u003e\n\n\u003cli\u003eThe rise of republicanism in Spain as a historical backdrop.\u003c\/li\u003e\n\n\u003cli\u003eObjectification and classism in the cultural production of the era.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eFor readers interested in contemporary theater with political and social weight, lovers of historical satire, and those seeking a critical and demystifying look at the figure of Alfonso XIII and the Spanish monarchy. It is also suitable for students of performing arts and dramatic literature who wish to analyze texts with a transgressive and provocative approach.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn irreverent and little-known perspective on the private life of Alfonso XIII.\u003c\/li\u003e\n\n\u003cli\u003eA scathing portrait of the political and aristocratic elites of the early 20th century.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on how frivolous entertainment can overshadow historical responsibility.\u003c\/li\u003e\n\n\u003cli\u003eAn example of political theater that combines dark humor with social criticism.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Sheet\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Various Authors\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e COMMISSIONS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 2022\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 265 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eA bold theatrical proposal that does not shy away from controversy. \"Alfonso the African\" presents itself as an acidic and well-constructed text, capable of entertaining while provoking reflection on the abuses of power and the decay of institutions. Its satirical approach and historical setting make it a work of interest both to the theatrical audience and to those who seek a critical reading of the history of Spain. Recommended for those who appreciate theater as a tool for social denunciation.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405072916827,"sku":"9788490414309","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041430.jpg?v=1781822399"},{"product_id":"9788490414279","title":"NUMANTIA","description":"\u003ch2\u003eNUMANCIA\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis edition of \u003cem\u003eNumancia\u003c\/em\u003e recovers one of the most significant tragic works by Miguel de Cervantes, a fundamental text for understanding the evolution of Spanish Golden Age theater. The reader will find a profound reflection on human freedom, collective sacrifice, and resistance against power, narrated through the epic defense of the Celtiberian city against the Roman siege. Beyond the military action, the work proposes a philosophical drama on the limits of the individual and the community, consolidating Cervantes as an essential innovator of the theatrical forms of his time.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eNumancia\u003c\/em\u003e is a tragedy that dramatizes the siege and fall of the Celtiberian city of Numantia at the hands of the Roman army commanded by Scipio. Far from being a simple historical account, Cervantes turns the Numantine resistance into a symbol of the struggle for freedom and dignity in the face of oppression. The work explores the conflict between individual will and collective destiny, presenting the inhabitants of Numantia as a people who prefer death to surrender. Through his characters, Cervantes reflects on human helplessness before power structures and the capacity for sacrifice as a final act of sovereignty. The piece stands as a milestone in the evolution of tragic theater, marking a path toward more modern conceptions of plot and character creation.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eIndividual and collective freedom against the oppression of power.\u003c\/li\u003e\n\n\u003cli\u003eHeroic sacrifice and resistance as an affirmation of human dignity.\u003c\/li\u003e\n\n\u003cli\u003eThe helplessness of the human being before superior political and military forces.\u003c\/li\u003e\n\n\u003cli\u003eThe renewal of the tragic form in Golden Age theater.\u003c\/li\u003e\n\n\u003cli\u003eReflection on destiny, honor, and death as an act of sovereignty.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is recommended for readers interested in classical Spanish theater, students and scholars of Golden Age literature, as well as those seeking to understand the evolution of tragedy in the Hispanic tradition. It will also be of great value to playwrights, stage directors, and theater lovers who wish to explore a lesser-known but fundamental work by Miguel de Cervantes, beyond his novelistic production.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA renewed vision of Cervantes as a tragic playwright, key to the transformation of Golden Age theater.\u003c\/li\u003e\n\n\u003cli\u003eA timeless reflection on freedom, power, and collective resistance, applicable to historical and contemporary contexts.\u003c\/li\u003e\n\n\u003cli\u003eAccess to a masterpiece of Spanish theater, essential for understanding the evolution of theatrical forms toward modernity.\u003c\/li\u003e\n\n\u003cli\u003eA careful edition that facilitates the reading and study of a classic text, with a focus on its literary and philosophical value.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Cervantes Bergia\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escénicas y Música\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Classical texts, Plays, Theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Encargos\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e January 2022\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 124\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 130 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eNumancia\u003c\/em\u003e is presented as a necessary edition to rediscover a tragic and innovative Cervantes, whose contribution to Golden Age theater deserves preferential attention. The work offers content of great philosophical and dramatic density, ideal for readers who seek more than entertainment: a reflection on the human condition. Its brevity (124 pages) and its focus on a universal theme like resistance against oppression make it an accessible yet profound read, for both specialists and fans of classical theater. It is, without a doubt, a reference title for those who wish to complete their vision of Cervantine literature.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405072949595,"sku":"9788490414279","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041427.jpg?v=1781822401"},{"product_id":"9788490414149","title":"CALIGULA DIED, I DID NOT","description":"\u003ch2\u003eCALIGULA DIED, I DID NOT\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis play, written by Claudia Cedo, presents itself as a contemporary reinterpretation of Albert Camus's classic \"Caligula.\" The author explores the fine line between philosophical rebellion and the loss of empathy, questioning how the certainty of an adverse fate can lead to alienation. Through modern theatrical language, the play invites the spectator to reflect on the relevance of these moral and existential dilemmas in today's society.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play begins with Camus's philosophical premise of rebellion as the only possible stance in the face of an overwhelming destiny, but without the resignation that accompanies it. However, Claudia Cedo goes a step further to ask: when do we lose our sense of empathy? Through a plot that distances itself from the original, the author examines how the obsession with absolute freedom and the denial of limits can lead to tyranny and contempt for others. The play does not merely revisit the historical figure of Caligula, but uses him as a mirror to analyze the dynamics of power and the fragility of compassion in the contemporary world.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePhilosophical rebellion versus resignation.\u003c\/li\u003e\n\n\u003cli\u003eThe loss of empathy and the alienation of power.\u003c\/li\u003e\n\n\u003cli\u003eThe reinterpretation of a classic from a contemporary perspective.\u003c\/li\u003e\n\n\u003cli\u003eThe tension between individual freedom and collective responsibility.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at fans of contemporary theater, students and professionals in the performing arts, as well as readers interested in existentialist philosophy and the revision of literary classics. It will also be of interest to those seeking a text that engages with the work of Albert Camus from a current and critical perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA modern and original re-reading of the Caligula myth, in dialogue with Camus's work.\u003c\/li\u003e\n\n\u003cli\u003eA deep reflection on empathy and its limits in contexts of power.\u003c\/li\u003e\n\n\u003cli\u003eA contemporary theatrical text, premiered at the National Dramatic Center, that connects with current concerns.\u003c\/li\u003e\n\n\u003cli\u003eA work that invites us to question inherited philosophical and moral certainties.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical details\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: CEDO, CLAUDIA\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO DE LAS ARTES ESCENICAS Y DE LA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: ENCARGOS\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2021\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 96\u003c\/li\u003e\n\n\u003cli\u003eWeight: 225 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis work by Claudia Cedo offers a theatrical proposal that transcends a mere adaptation to become an autonomous and provocative text. Its value lies in the ability to modernize a philosophical classic without losing its essence, and in the relevance of its questions about empathy and power. It is a recommended read for those looking for theater that is committed, intellectually and emotionally stimulating.\u003c\/p\u003e","brand":"INSTITUTO DE LAS ARTES ESCENICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405072982363,"sku":"9788490414149","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041414.jpg?v=1781822401"},{"product_id":"9788490413999","title":"THE PYRE","description":"\u003ch2\u003eTHE PYRE\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis work brings together nine theatrical texts written during the Covid-19 pandemic lockdown. Created with the urgency of capturing an unprecedented collective experience, these pieces were premiered via streaming by the National Dramatic Center, utilizing theaters in innovative ways and without an audience. \"The Pyre\" offers a multifaceted and contemporary look at isolation, uncertainty, and resilience, becoming a unique artistic testimony of a historic moment. An essential volume for those seeking to understand how theater reinvented itself to continue telling stories.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe book gathers the stories of nine authors who, from lockdown, channeled the experience of the pandemic into dramatic texts. Each piece addresses different facets of confinement, social distancing, and the transformation of daily life, exploring emotions such as fear, loneliness, hope, and solidarity. Written with the urgency of the present, these works were conceived to be performed via streaming, adapting theatrical language to a digital format that allowed scenic activity to stay alive. \"The Pyre\" not only documents a historical period but also reflects on the capacity of art to resist and reinvent itself under extreme circumstances.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe experience of lockdown and social isolation during the Covid-19 pandemic.\u003c\/li\u003e\n\n\u003cli\u003eThe reinvention of theater and adaptation to digital and streaming formats.\u003c\/li\u003e\n\n\u003cli\u003eHuman emotions in the face of crisis: fear, uncertainty, resilience, and solidarity.\u003c\/li\u003e\n\n\u003cli\u003eArtistic creation as an urgent response to an exceptional historical context.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between the stage space and the absence of a live audience.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at theater enthusiasts and professionals interested in contemporary dramaturgy and how art responds to social crises. It is also recommended for students of performing arts, literature, and social sciences who wish to analyze a creative testimony of the pandemic. Likewise, it will attract readers looking for a literary and emotional approach to the lockdown experience from multiple authorial voices.\u003c\/p\u003e\n\u003ch3\u003eWhat this book provides\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA unique artistic testimony from nine authors regarding the Covid-19 lockdown.\u003c\/li\u003e\n\n\u003cli\u003eA sample of how theater adapted to streaming and the absence of a live audience.\u003c\/li\u003e\n\n\u003cli\u003eA multifaceted vision of the pandemic through different styles and dramatic approaches.\u003c\/li\u003e\n\n\u003cli\u003eMaterial for study and reflection on stage creation in contexts of crisis.\u003c\/li\u003e\n\n\u003cli\u003eA choral work that documents the urgency of telling a collective experience.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical data\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Various Authors\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO DE LAS ARTES ESCENICAS Y DE LA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: COMMISSIONS\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2021\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 150\u003c\/li\u003e\n\n\u003cli\u003eWeight: 255 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003e\"The Pyre\" is a scenic document of historical and artistic value that captures the immediate response of theater to a global crisis. The diversity of authorial voices enriches the whole and offers varied perspectives on the lockdown. Its publication is relevant both for scholars of contemporary theater and for readers interested in the cultural memory of the pandemic. However, those seeking a unified work or a linear plot may find its choral structure to be a fragmented approach, although that very multiplicity is its greatest strength.\u003c\/p\u003e","brand":"INSTITUTO DE LAS ARTES ESCENICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405073015131,"sku":"9788490413999","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041399.jpg?v=1781822403"},{"product_id":"9788490413777","title":"METALLICA","description":"\u003ch2\u003eMETALICA\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn \u003ci\u003eMETALICA\u003c\/i\u003e, Iñigo Guardamino offers a theatrical reflection on the distance between the promises of the future and the reality we inhabit. Through a critical and poetic lens, the play investigates the collective disillusionment of a century that has failed to deliver the technological and social utopias that were once predicted. The reader will encounter a text that questions our present through fiction, exploring the cracks of a progress that promised flying cars and teleportation, but has instead bequeathed us a reality that is more complex and, often, less extraordinary.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play begins with a disenchanted premise: the future imagined in the last century has not materialized. There are no cars soaring through the skies, no teleportation subscriptions, nor a pill that replaces food. Starting from this realization, Guardamino constructs a theatrical text that examines the unfulfilled promises of technology and progress. The narrative unfolds as a mirror of our frustrated expectations, exploring how the fiction of the future has shaped our perception of the present. Through dialogues and situations, the play dismantles the myths of unstoppable advancement and confronts us with the question of what it really means to live in the era we have been dealt.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDisillusionment with the technological promises of the past.\u003c\/li\u003e\n\n\u003cli\u003eA critique of the utopias of progress and their failed materialization.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between speculative fiction and contemporary reality.\u003c\/li\u003e\n\n\u003cli\u003eQuestioning the myths of the future and their impact on the present.\u003c\/li\u003e\n\n\u003cli\u003eThe exploration of identity in a world that has not met its expectations.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers interested in contemporary theater with a strong critical and philosophical weight. It is especially recommended for those who enjoy works that reflect on technology, progress, and society from a literary perspective. It will also be of interest to students and professionals of the performing arts who are looking for texts that dialogue with the concerns of the 21st century, as well as any reader who feels challenged by the distance between what we were promised and what we actually live.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original and critical look at the concept of the future through the language of theater.\u003c\/li\u003e\n\n\u003cli\u003eA text that invites reflection on the unfulfilled promises of technology and progress.\u003c\/li\u003e\n\n\u003cli\u003eA work that connects speculative fiction with current social and cultural reality.\u003c\/li\u003e\n\n\u003cli\u003eQuality material for analysis and discussion in academic or artistic settings.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e GUARDAMINO, IÑIGO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO DE LAS ARTES ESCENICAS Y DE LA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e ENCARGOS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 170\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 320 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003e\u003ci\u003eMETALICA\u003c\/i\u003e presents itself as a theatrical proposal that connects with the concerns of an audience seeking a tool in literature to understand their time. Iñigo Guardamino's work stands out for its ability to address universal themes from a contemporary perspective, offering a text that not only entertains but also provokes critical thinking. Its focus on the disillusionment of the promised future makes it a relevant and suggestive read for those interested in the intersection of art, technology, and society.\u003c\/p\u003e","brand":"INSTITUTO DE LAS ARTES ESCENICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405073178971,"sku":"9788490413777","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041377.jpg?v=1781822408"},{"product_id":"9788490413760","title":"THE BARBARIANS","description":"\u003ch2\u003eTHE BARBARAS\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA play that explores grief, friendship, and female contradictions through three friends who reunite after the death of Bárbara, a much younger woman whom they all mentored. In a secluded hotel, Susi, Carmen, and Encarna must fulfill the deceased's last wish, an act that triggers an intense debate about their own lives. Through sharp dialogues, the play bares their opposing views on work, motherhood, and feminism, testing the foundations of their friendship and revealing the complex map of their contradictions.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eSix months after the death of Bárbara, three lifelong friends—Susi, Carmen, and Encarna—meet at a hotel far from the city. The young deceased, thirty years their junior, was a central figure in their lives, though each loved and mentored her in a different way. Bárbara's final request becomes the trigger for a conversation that goes far beyond memory. As they attempt to fulfill her wish, the different perspectives each has about the others and themselves emerge. The play thus becomes a mirror reflecting their stances on work, motherhood, and feminism, drawing a map of contradictions that, at the same time, defines the future of their friendship.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eGrief and memory: How the death of a young person reshapes relationships among those who survive them.\u003c\/li\u003e\n\n\u003cli\u003eLong-term female friendship: Bonds that hold despite differences and unresolved wounds.\u003c\/li\u003e\n\n\u003cli\u003eThe contradictions of feminism: The different and sometimes opposing ways of understanding emancipation, motherhood, and professional success.\u003c\/li\u003e\n\n\u003cli\u003eThe generational gap: The conflict between the experiences of women of different ages and their worldview.\u003c\/li\u003e\n\n\u003cli\u003eIdentity and self-knowledge: How the judgment of others forces us to reevaluate our own decisions and values.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis play is aimed at readers interested in contemporary theater that addresses generational and gender conflicts. It is especially recommended for those seeking texts that explore the complexity of female relationships, grief, and the internal tensions of modern feminism. It will also be attractive to reading groups and performing arts enthusiasts who value incisive dialogue and female characters with real nuances and contradictions.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn honest and uncompromising portrait of the contradictions women face regarding motherhood, work, and activism.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical text that invites reflection and debate, ideal for being performed or analyzed in a group.\u003c\/li\u003e\n\n\u003cli\u003eA deep exploration of how long-lasting friendships can withstand or break in the face of ideological and life differences.\u003c\/li\u003e\n\n\u003cli\u003eA generational perspective that brings the experiences of women of different ages into dialogue regarding the same dilemmas.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e CARBALLAL, LUCIA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO DE LAS ARTES ESCENICAS Y DE LA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e ENCARGOS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e June 2021\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 102\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 220 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eLas Bárbaras is a contemporary play that stands out for its ability to condense the most current conflicts of feminism and friendship into a single encounter. The author constructs an agile, dialogue-driven text that, without moralizing, exposes the contradictions of its protagonists with intelligence and raw honesty. Its main interest lies in how it manages to make a small group of characters represent a range of recognizable ideological positions, offering the reader or spectator an uncomfortable but necessary mirror. It is a recommended proposal for those looking for theater that engages with the present without simplifying it.\u003c\/p\u003e","brand":"INSTITUTO DE LAS ARTES ESCENICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405073211739,"sku":"9788490413760","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041376.jpg?v=1781822410"},{"product_id":"9788490413227","title":"ROSARIO DE ACUÑA: GUSTS OF A HURRICANE","description":"\u003ch2\u003eROSARIO DE ACUÑA: GUSTS OF A HURRICANE\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA group of young people embark on a journey to make a documentary about Rosario de Acuña, a key figure of freethinking in Spain. Throughout this journey, the characters confront their own anxieties with the life of this 19th-century writer, playwright, freemason, and mountaineer. The play weaves together the past and the present to show how the struggle for freedom of thought remains relevant today. A theatrical text that rescues the memory of a radical and forgotten creator, offering a reflection on identity and the need to express oneself without constraints.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play follows a group of young people who embark on the production of a documentary about Rosario de Acuña, one of the most transgressive figures in Spanish theater and thought of the late 19th and early 20th centuries. As they investigate her life, the protagonists face their own dilemmas and aspirations, discovering that Acuña's struggles—for reason, freedom, and social transformation—resonate strongly today. The story explores her facets as an indefatigable writer, freemason, businesswoman, theater director, poet, and educator, showing how her legacy was silenced by a Spain of amnesia. The play uses the characters' physical and emotional journey as a metaphor for the search for identity and the need to give a voice to those who have been erased from history.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHistorical memory and the rescue of forgotten female figures in Spanish culture.\u003c\/li\u003e\n\n\u003cli\u003eFreedom of thought and expression as a cross-generational challenge.\u003c\/li\u003e\n\n\u003cli\u003eThe initiatory journey as a tool for self-knowledge and generational confrontation.\u003c\/li\u003e\n\n\u003cli\u003eThe figure of Rosario de Acuña as a symbol of intellectual and creative rebellion.\u003c\/li\u003e\n\n\u003cli\u003eThe function of theater as a space for presence and political advocacy.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers and viewers interested in contemporary theater with a social perspective, as well as those seeking to recover the memory of pioneering women in Spanish history. It is also recommended for students and professionals in the performing arts, literature, and gender studies, and for anyone who values stories that connect the past with the conflicts of the present.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA documentary and emotional approach to the life of Rosario de Acuña, an essential and silenced author.\u003c\/li\u003e\n\n\u003cli\u003eA narrative bridge between 19th-century struggles and the concerns of today's youth.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the importance of collective memory and the role of art in its recovery.\u003c\/li\u003e\n\n\u003cli\u003eA theatrical experience that combines historical research with contemporary fiction.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Bernaedez, Asun\u003c\/li\u003e\n\n\u003cli\u003ePublisher: Instituto de las Artes Escénicas y de la\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003eCollection: Encargos\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2021\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 170\u003c\/li\u003e\n\n\u003cli\u003eWeight: 325 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eThis work offers a stage proposal that transcends a mere biographical tribute to become an intergenerational mirror. The author manages to sensitively articulate the relevance of the questions Rosario de Acuña asked herself, connecting them with the doubts of today's youth. It is a text that invites reflection on historical oblivion and the transformative power of theater, recommended for those looking for a committed and moving read.\u003c\/p\u003e","brand":"INSTITUTO DE LAS ARTES ESCENICAS Y DE LA","offers":[{"title":"Default Title","offer_id":53405073473883,"sku":"9788490413227","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041322.jpg?v=1781822415"},{"product_id":"9788490415122","title":"DRAWING OF A WOUNDED FOX","description":"\u003ch2\u003eDRAWING OF A WOUNDED FOX\u003c\/h2\u003e\n\u003ch3\u003eBook summary\u003c\/h3\u003e\n\u003cp\u003eIn this work, the reader will find a contemporary theatrical proposal that explores vulnerability and resilience through a poetic and visual narrative. Written as part of the 2023-24 Dramatic Residencies program at the Centro Dramático Nacional, the piece offers an emotional journey where fragility becomes a driving force for transformation. Its primary value lies in its ability to connect with the most intimate human experience, using stage language as a vehicle for introspection.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play delves into the story of a character who, like a wounded fox, navigates the scars of the past and the challenges of the present. Through a careful dramatic structure, the text unfolds moments of tension and tenderness, where physical and emotional wounds become metaphors for an internal struggle for survival and self-understanding. The edition includes side-by-side texts in Spanish and Catalan, which enriches the reading experience and opens the work to a bilingual audience.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eVulnerability as a starting point for personal growth.\u003c\/li\u003e\n\n\u003cli\u003eResilience in the face of adversity and pain.\u003c\/li\u003e\n\n\u003cli\u003eIdentity and the search for meaning in times of crisis.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between language and the expression of deep emotions.\u003c\/li\u003e\n\n\u003cli\u003eLinguistic duality (Spanish and Catalan) as a reflection of intertwined cultural realities.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eIt is aimed at readers and theatre professionals interested in contemporary dramaturgy, as well as those seeking texts that combine careful writing with a sincere exploration of the human condition. It will also be attractive to performing arts students and anyone who values literature as a tool for emotional reflection.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original look at the process of healing through dramatic art.\u003c\/li\u003e\n\n\u003cli\u003eA bilingual text that allows for the appreciation of linguistic and cultural nuances.\u003c\/li\u003e\n\n\u003cli\u003eA work endorsed by the prestigious Dramatic Residencies program of the Centro Dramático Nacional.\u003c\/li\u003e\n\n\u003cli\u003eA reading experience that invites introspection and inner dialogue.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: PUIG GRAU, ORIOL\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003ePublication date: January 2025\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 176\u003c\/li\u003e\n\n\u003cli\u003eWeight: 420 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis work presents itself as a solid proposal within the current theatrical landscape, standing out for its sensitivity and its commitment to bilingualism as a narrative element. Its inclusion in the Dramatic Residencies program of the Centro Dramático Nacional guarantees a quality work that deserves the attention of those who follow emerging dramaturgy. It is a recommended read for those looking for texts that transcend the merely theatrical to become a profound literary experience.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073637723,"sku":"9788490415122","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041512.jpg?v=1781822419"},{"product_id":"9788490415153","title":"ABSORBED","description":"\u003ch2\u003eABSORBED\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn \u003ci\u003eAbsorbed\u003c\/i\u003e, author Alfredo Sanzol immerses us in a theatrical proposal that explores the folds of consciousness and inner life. The reader will encounter a play that, through theatrical language, investigates the process of introspection and the dialogue between the individual and their own self. It is a text that invites reflection on identity, memory, and the perception of reality, offering a literary experience that transcends mere performance to become a journey toward self-knowledge.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play delves into the experience of a character who, immersed in a state of self-absorption, faces the voices, memories, and emotions that make up their internal universe. Through a dramatic structure that plays with time and space, Sanzol builds a narrative where the boundary between the real and the imagined blurs. The spectator or reader witnesses a process of psychological exploration where silence, word, and action become tools to unravel the mysteries of subjectivity. The plot unfolds on a minimalist stage that enhances the power of the text and the depth of the protagonist's internal conflicts.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eIntrospection and self-knowledge as dramatic processes.\u003c\/li\u003e\n\n\u003cli\u003eThe construction of identity through memory and reflection.\u003c\/li\u003e\n\n\u003cli\u003eThe dialogue between the inner self and external reality.\u003c\/li\u003e\n\n\u003cli\u003eThe nature of time and subjective perception.\u003c\/li\u003e\n\n\u003cli\u003eLanguage as a vehicle for exploring consciousness.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is especially aimed at lovers of contemporary theater, students and professionals of the performing arts, as well as readers interested in literature that addresses philosophical and psychological issues. It will also be of great interest to those who seek texts that challenge traditional narrative conventions and offer a reflective and profound reading experience.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original play that invites reflection on identity and consciousness.\u003c\/li\u003e\n\n\u003cli\u003eA text that stimulates critical thinking and personal introspection.\u003c\/li\u003e\n\n\u003cli\u003eA display of the talent of Alfredo Sanzol, a relevant figure in the current theatrical scene.\u003c\/li\u003e\n\n\u003cli\u003eA valuable tool for the study and analysis of contemporary dramaturgy.\u003c\/li\u003e\n\n\u003cli\u003eA reading that transcends the theatrical genre to offer a literary and philosophical experience.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Details\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e Alfredo Sanzol\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Instituto Artes Escénicas y Música\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Classic Theater Texts\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication date:\u003c\/strong\u003e March 2025\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 320 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Assessment\u003c\/h3\u003e\n\u003cp\u003e\u003ci\u003eAbsorbed\u003c\/i\u003e presents itself as a solid proposal within the catalog of contemporary theatrical texts. Alfredo Sanzol demonstrates his mastery in constructing a dramatic universe that, starting from introspection, manages to connect with universal concerns. It is a work that, due to its thematic depth and careful writing, will be of great interest to an audience that seeks not only entertainment in the theater, but also a space for reflection and the questioning of reality.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073768795,"sku":"9788490415153","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041515.jpg?v=1781822424"},{"product_id":"9788490414958","title":"MONEY","description":"\u003ch2\u003eMONEY\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA play that explores the profound bond between human beings and money, not just as a medium of exchange, but as a mirror of our collective relationships, longings, and fears. Through a scenic narrative, the author invites us to reflect on how currency condenses the values and contradictions of a society.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play starts from a revealing premise: money speaks about us more than we think. Every coin and banknote is a document that reflects the aspirations, conflicts, and power structures of an era. The theatrical text deconstructs this symbiotic relationship between the economic and the human, showing how money shapes the way we relate to one another, think of ourselves, and organize our communal life. Through various characters and situations, the play lays bare the hidden face of capital, revealing that in a simple transaction lie hidden desires, fears, and a complex web of social meanings.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eThe relationship between money and human identity.\u003c\/li\u003e\n\n  \u003cli\u003eMoney as a reflection of social longings and fears.\u003c\/li\u003e\n\n  \u003cli\u003eThe influence of capital on interpersonal relationships.\u003c\/li\u003e\n\n  \u003cli\u003eSocial and economic critique through theatrical language.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eRecommended for readers interested in contemporary theatre with social and philosophical content, students and professionals of the performing arts, as well as those seeking a critical reflection on the role of money in culture and human relationships.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eAn original perspective that links economics with social psychology and dramatic art.\u003c\/li\u003e\n\n  \u003cli\u003eMaterial for reflection on debates regarding the symbolic value of money in today's society.\u003c\/li\u003e\n\n  \u003cli\u003eA play that combines theatrical entertainment with conceptual depth.\u003c\/li\u003e\n\n  \u003cli\u003eAn accessible analysis of how money condenses the contradictions of an era.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n  \u003cli\u003eAuthor: GILABERT, GASTON\u003c\/li\u003e\n\n  \u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n  \u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n  \u003cli\u003eTopic: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n  \u003cli\u003eCollection: CLASSIC THEATRE TEXTS\u003c\/li\u003e\n\n  \u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n  \u003cli\u003ePublication date: June 2024\u003c\/li\u003e\n\n  \u003cli\u003eNumber of pages: 231\u003c\/li\u003e\n\n  \u003cli\u003eWeight: 365 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eA theatrical proposal that transcends mere plot to delve into an anthropological inquiry into money. The work is pertinent for those who look to theatre as a vehicle for social criticism and cultural analysis, offering a text that invites us to rethink the everyday from an acute and revealing scenic perspective.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073801563,"sku":"9788490414958","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041495.jpg?v=1781822425"},{"product_id":"9788490414989","title":"HELEN KELLER, WONDER WOMAN?","description":"\u003ch2\u003eHELEN KELLER, WONDER WOMAN? HELEN KELLER, A MULLER MARABILLA?\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis play, written by the Galician company Chévere, presents a critical and reflective look at the figure of Helen Keller, the iconic deaf-blind activist. Through a bilingual text (Spanish and Galician), the piece not only narrates her biography but also questions the myth built around her, exploring the contradictions and the political dimension of her legacy. The reader will find a contemporary theatrical text that combines cultural agitation with a profound social stance, offering a scenic experience that invites us to rethink historical narratives.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play starts from the figure of Helen Keller, known worldwide for having overcome deafness and blindness to become a writer and activist. However, Chévere goes beyond the narrative of personal achievement to dismantle the myth of the \"wonder woman.\" The text probes the complexities of her life, her political activism, and the tensions between her public image and her reality. Through direct and critical theatrical language, the Galician company proposes an exercise in historical memory that questions how heroes are constructed and what interests those narratives serve. The work is presented in a bilingual edition, reflecting its origin and its commitment to Galician culture.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDeconstruction of the Helen Keller myth and the narrative of overcoming adversity.\u003c\/li\u003e\n\n\u003cli\u003ePolitical and social activism as a tool for transformation.\u003c\/li\u003e\n\n\u003cli\u003eThe construction of identity and historical memory.\u003c\/li\u003e\n\n\u003cli\u003eTheatrical agitation as a means of social and cultural critique.\u003c\/li\u003e\n\n\u003cli\u003eLinguistic and cultural duality in the contemporary Galician scene.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at theater students and professionals, as well as readers interested in contemporary plays with a strong social and political component. It is also recommended for those seeking a critical perspective on iconic historical figures and for those interested in Galician theatrical production and its commitment to social reality.\u003c\/p\u003e\n\u003ch3\u003eWhat this book contributes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA critical and demystifying vision of the figure of Helen Keller, far removed from the simplistic tale of overcoming adversity.\u003c\/li\u003e\n\n\u003cli\u003eA contemporary theatrical text that exemplifies cultural agitation and political positioning in the performing arts.\u003c\/li\u003e\n\n\u003cli\u003eA bilingual edition (Spanish and Galician) that enriches the reading experience and reflects linguistic diversity.\u003c\/li\u003e\n\n\u003cli\u003eA tool for analysis and reflection on how myths are constructed in popular culture.\u003c\/li\u003e\n\n\u003cli\u003eA work by a company with more than thirty-five years of experience, providing a consolidated and mature perspective.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: Chévere\u003c\/li\u003e\n\n\u003cli\u003ePublisher: Instituto Artes Escénicas y Música\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: Plays, theatrical texts\u003c\/li\u003e\n\n\u003cli\u003eCollection: Classical theater texts\u003c\/li\u003e\n\n\u003cli\u003eDate of publication: June 2024\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 61\u003c\/li\u003e\n\n\u003cli\u003eWeight: 290 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial assessment\u003c\/h3\u003e\n\u003cp\u003eThis work by Chévere is presented as a theatrical text of great interest to those who seek committed and reflective theater. The publisher, specializing in the performing arts, supports a piece that not only entertains but also invites us to question established narratives. Its critical approach and bilingual edition make it a unique proposal within the contemporary theater catalog, ideal for readers who value political content and formal experimentation.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073834331,"sku":"9788490414989","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041498.jpg?v=1781822428"},{"product_id":"9788490414972","title":"THAT'S HOW WE SPOKE","description":"\u003ch2\u003eTHE WAY WE SPOKE\u003c\/h2\u003e\n\u003ch3\u003eBook summary\u003c\/h3\u003e\n\u003cp\u003eA contemporary play that explores the reunion of a group of young people after some time apart. Their conversation becomes the axis of a profound reflection on loss, the continuity of life, and the weight of words left unsaid. A text that delves into how the death of one of them transforms the group's dynamic, forcing them to face essential questions about grief and memory. The reader will find a play that combines the intimacy of dialogue with the power of silence, offering an honest look at how absence redefines bonds and identity itself.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play focuses on the reunion of a group of friends who shared a creative and professional past. After a period of separation, the meeting is permeated by the absence of one of them, who passed away prematurely. Through their dialogues, the characters explore how death interrupts daily life, altering the perception of time and the night. The conversation becomes a space where the possibility of moving forward, keeping memory alive, and understanding how loss redefines relationships is questioned. The text progresses through a fragmentary structure that reflects the difficulty of processing grief, alternating memories, silences, and unanswered questions. It is an inquiry into how a person's absence can change the course of a conversation that, in appearance, never ends.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eGrief and coping with loss in a youth context.\u003c\/li\u003e\n\n\u003cli\u003eCollective memory and the impact of absence on group relationships.\u003c\/li\u003e\n\n\u003cli\u003eThe continuity of life and the night as a metaphor for uncertainty.\u003c\/li\u003e\n\n\u003cli\u003eLanguage and silence as tools for facing death.\u003c\/li\u003e\n\n\u003cli\u003ePersonal and group identity in the face of a broken fundamental bond.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers interested in contemporary theater that addresses existential and emotional themes with an intimate approach. It is especially relevant for those looking for texts that explore grief, friendship, and memory from a youthful and modern perspective. It will also be of interest to performing arts students, playwrights, and theater professionals who wish to analyze a piece that prioritizes dialogue and atmosphere over action. Furthermore, it is an appropriate read for anyone who has experienced a loss and is looking for a space for reflection and recognition in literature.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA deep and honest reflection on how death transforms relationships and the perception of time.\u003c\/li\u003e\n\n\u003cli\u003eAn example of contemporary dramaturgy that uses dialogue and silence as narrative tools.\u003c\/li\u003e\n\n\u003cli\u003eAn exploration of collective memory and the construction of identity after a loss.\u003c\/li\u003e\n\n\u003cli\u003eA work that invites us to question the continuity of life and the meaning of unfinished conversations.\u003c\/li\u003e\n\n\u003cli\u003eA text that offers a youthful perspective on grief, far from traditional discourses.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: VARIOUS AUTHORS\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eTheme: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: CLASSICAL THEATER TEXTS\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2024\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 89\u003c\/li\u003e\n\n\u003cli\u003eWeight: 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis work is presented as a highly sensitive theatrical proposal, focused on the power of dialogue to address grief from a contemporary perspective. Its fragmentary structure and attention to silence make it a text that invites reflection and re-reading. For audiences interested in auteur theater that prioritizes emotional exploration over plot, this book offers a literary experience that connects with universal questions about life, death, and friendship. Its brevity and thematic density make it accessible for a quick read, but with an impact that lingers.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073867099,"sku":"9788490414972","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041497.jpg?v=1781822428"},{"product_id":"9788490414941","title":"THE SOUL","description":"\u003ch2\u003eTHE SOUL\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eIn this work, the reader embarks on a theatrical journey that explores the elusive and ungraspable nature of the human soul. Starting from the premise that understanding the soul is an impossible task, the author constructs a piece that presents itself as a mirage or an illusion, challenging the conventions of the genre. Through a text that plays with the limits of performance, the play invites reflection on the intangible nature of human experience, offering a stage experience that questions the very possibility of narrating existence.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play unfolds as a scenic inquiry into the concept of the soul, assuming from the outset the paradox of its endeavor: attempting to capture what by definition escapes all definition. The synopsis suggests that writing about the soul is an act as futile as it is necessary, a mirage that can only be approached through fiction and the illusion of theater. The text thus becomes a space where impossibility becomes a creative engine, leading the spectator to a borderline territory between certainty and doubt, between what is shown and what is hidden. The work does not seek answers, but rather poses questions about identity, memory, and the essence of the human through a theatrical language that knows it is limited and, therefore, extraordinarily suggestive.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe ungraspable nature of the soul and human identity.\u003c\/li\u003e\n\n\u003cli\u003eTheater as a tool to explore the impossible and the intangible.\u003c\/li\u003e\n\n\u003cli\u003eThe relationship between stage illusion and the construction of reality.\u003c\/li\u003e\n\n\u003cli\u003eThe paradox of attempting to represent that which cannot be defined.\u003c\/li\u003e\n\n\u003cli\u003eThe search for meaning through fiction and artifice.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis work is aimed at readers and viewers interested in philosophical and experimental contemporary theater. It is ideal for those looking for stage proposals that challenge traditional narrative structures and invite metaphysical reflection. It will also be of great interest to students and professionals of the performing arts, philosophy, and literature who wish to explore the limits of theatrical language and its ability to address abstract concepts.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn original theatrical proposal that turns the impossibility of defining the soul into the core of its dramatic discourse.\u003c\/li\u003e\n\n\u003cli\u003eA reading experience that stimulates critical thinking and reflection on universal themes.\u003c\/li\u003e\n\n\u003cli\u003eA text that challenges genre conventions, offering new perspectives on stage representation.\u003c\/li\u003e\n\n\u003cli\u003eA work that invites us to question the boundaries between reality and fiction, between what we know and what we intuit.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: FERNANDEZ, ESTHER\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: CLASSIC THEATER TEXTS\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2024\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 160\u003c\/li\u003e\n\n\u003cli\u003eWeight: 265 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eThis is a work that, from its very premise, presents itself as an intellectual and aesthetic challenge. The author constructs a text that is not afraid to acknowledge its limitations, turning that very awareness into its main virtue. For the reader interested in theater that thinks and thinks about itself, \"THE SOUL\" offers a unique experience that transcends mere plot to delve into the realm of philosophical inquiry. It is a risky and suggestive proposal, perfect for those who seek in theater a space for questioning rather than for certainties.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073932635,"sku":"9788490414941","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041494.jpg?v=1781822432"},{"product_id":"9788490415009","title":"BRIGHT MASS. TOO BRIGHT","description":"\u003ch2\u003eMASSA BRILLANT. TOO BRIGHT\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eThis play by Oriol Puig Grau immerses the reader in a night that promises to be unforgettable, where friendship, ambition, and drag art intertwine in a vibrant competition. Through the story of Guillem and his best friend, who has spent months creating a spectacular dress for the Futuroa Drag Gala, the play explores the limits of personal brilliance and human relationships. With contemporary theatrical language and a plot charged with emotion, the text invites reflection on authenticity and the desire to stand out in a world that demands one be \"too bright.\"\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe plot unfolds over a single decisive night. Guillem, the protagonist, finds himself at the center of a situation that combines the celebration of a wedding with the intensity of a drag competition. His best friend, Guillem’s boyfriend, has worked obsessively on making a dazzling dress with the goal of winning the audience award at the Futuroa Drag Gala. The play follows the preparations, tensions, and moments of intimacy that precede this event, revealing the deep motivations of each character. As the night progresses, the bonds of friendship, love, and the very perception of success are put to the test in a setting where external shine hides vulnerabilities and unexpressed desires.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eDrag culture and its artistic expression as a vehicle for identity and transformation.\u003c\/li\u003e\n\n\u003cli\u003eFriendship and loyalty in contexts of high emotional and competitive pressure.\u003c\/li\u003e\n\n\u003cli\u003eThe search for recognition and external validation versus personal authenticity.\u003c\/li\u003e\n\n\u003cli\u003eLove and romantic relationships in an environment of excess and expectations.\u003c\/li\u003e\n\n\u003cli\u003eCreative sacrifice and the effort behind the creation of an ephemeral work of art.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis play is aimed at lovers of contemporary theater interested in narratives that explore sexual and gender diversity from a fresh, emotional perspective. It is also ideal for readers who enjoy stories centered on drag culture, the world of performance, and the dynamics of friendship and competition. Theater professionals, performing arts students, and followers of Oriol Puig Grau's work will find this text rich in dialogue and symbolism.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAn immersion into the vibrant and complex universe of drag, with its codes and emotions.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the social pressure to stand out and be \"too bright\" in all aspects of life.\u003c\/li\u003e\n\n\u003cli\u003eAn intimate portrait of human relationships when faced with ambition and the desire for recognition.\u003c\/li\u003e\n\n\u003cli\u003eA contemporary theatrical text that invites performance and scenic analysis.\u003c\/li\u003e\n\n\u003cli\u003eA story that combines humor, tension, and tenderness over a single decisive night.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAuthor: PUIG GRAU, ORIOL\u003c\/li\u003e\n\n\u003cli\u003ePublisher: INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003eLanguage: Spanish\u003c\/li\u003e\n\n\u003cli\u003eSubject: PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003eCollection: CLASSIC THEATER TEXTS\u003c\/li\u003e\n\n\u003cli\u003eBinding: Paperback\u003c\/li\u003e\n\n\u003cli\u003ePublication date: June 2024\u003c\/li\u003e\n\n\u003cli\u003eNumber of pages: 166\u003c\/li\u003e\n\n\u003cli\u003eWeight: 220 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eMASSA BRILLANT. TOO BRIGHT presents itself as a solid and current theatrical proposal that connects with the concerns of a young and diverse audience. Oriol Puig Grau succeeds in constructing a night charged with symbolism, where the shine of the drag dress becomes a metaphor for human aspirations and frailties. The play stands out for its ability to balance dramatic intensity with moments of levity, offering a text that works both for individual reading and for stage production. It is a well-judged recommendation for those seeking contemporary theater with a unique voice and sensitivity toward LGBTQ+ realities.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073965403,"sku":"9788490415009","price":7.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041500.jpg?v=1781822435"},{"product_id":"9788490414743","title":"MODEST","description":"\u003ch2\u003eMODEST\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eModest is a contemporary play that, through the perspective of the National Classical Theater Company, establishes a critical dialogue with the past. Playwright and director Xus de la Cruz takes Lope de Vega's \u003ci\u003eThe Discreet Lover\u003c\/i\u003e (La discreta enamorada) as a starting point to question the social control exerted over female behavior. Through a staging that combines dramaturgy, direction, and choreography, the play invites the reader to reflect on how certain patterns of submission, far from being archaic, remain current today.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe play begins with a premiere by the National Classical Theater Company to explore the Golden Age playwright's ideas about women. Xus de la Cruz uses Lope de Vega's text as a mirror reflecting the social impositions that have forced women to adopt an attitude of modesty and submission, symbolized by the act of \"looking at the floor.\" The production is not limited to a historical review but builds a bridge to the present, demonstrating that mechanisms of control over female conduct do not belong solely to the past, but persist in more subtle forms. The play thus becomes a reflection on cultural heritage and the survival of certain gender roles.\u003c\/p\u003e\n\u003ch3\u003eMain Themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSocial control of female behavior throughout history.\u003c\/li\u003e\n\n\u003cli\u003eCritical review of the Golden Age literary canon from a contemporary perspective.\u003c\/li\u003e\n\n\u003cli\u003eThe persistence of gender roles and patterns of submission today.\u003c\/li\u003e\n\n\u003cli\u003eThe dialogue between classical text and modern staging.\u003c\/li\u003e\n\n\u003cli\u003eThe construction of female identity through the gaze and the body.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eThis book is aimed at readers interested in contemporary theater that addresses gender issues, as well as students and professionals in the performing arts. It will also be of great interest to those seeking a critical and updated reading of the classics, especially the work of Lope de Vega, and to those who wish to understand how theater can be a tool for social analysis.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA stage proposal that reviews a classic from a feminist and contemporary perspective.\u003c\/li\u003e\n\n\u003cli\u003eA reflection on the continuity of social control mechanisms over time.\u003c\/li\u003e\n\n\u003cli\u003eA work that integrates dramaturgy, direction, and choreography as an expressive whole.\u003c\/li\u003e\n\n\u003cli\u003eA text that invites us to question traditional narratives about female behavior.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e DE LA CRUZ, XUS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eSubject:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e CLASSICAL THEATER TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 2023\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 121\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 180 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial Review\u003c\/h3\u003e\n\u003cp\u003eModest presents itself as a play that transcends mere adaptation to become an exercise in cultural criticism. Xus de la Cruz's proposal, by dialoguing with a text by Lope de Vega, offers a perspective that connects tradition with current concerns about female freedom and identity. It is a recommended read for those looking for committed theater that not only entertains but also invites reflection on the persistence of certain power structures in society.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405073998171,"sku":"9788490414743","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041474.jpg?v=1781822436"},{"product_id":"9788490414798","title":"ROLAND MY LOVE","description":"\u003ch2\u003eROLAND MON AMOUR\u003c\/h2\u003e\n\u003ch3\u003eBook Summary\u003c\/h3\u003e\n\u003cp\u003eA work that explores the absurdity of everyday life through a generational dialogue where speech, action, dance, audiovisual elements, and music converge. The author, Cris Balboa, uses self-portraiture and autofiction as tools to reflect on identity and social transformation, inviting the reader to question who we are through the lens of the everyday.\u003c\/p\u003e\n\u003ch3\u003eWhat is it about?\u003c\/h3\u003e\n\u003cp\u003eThe work delves into the search for a theatrical language that blends irony, humor, hedonism, and despair. Through a multidisciplinary artistic proposal, the author investigates the transformative potential of art, both on a social and personal level. The narrative is constructed through autofiction, placing the body and personal experience at the center of the inquiry into identity, creating a space for identification with the reader to reflect on life from an everyday perspective.\u003c\/p\u003e\n\u003ch3\u003eMain themes\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eEveryday absurdity as a theatrical catalyst\u003c\/li\u003e\n\n\u003cli\u003eAutofiction and self-portraiture as forms of communication\u003c\/li\u003e\n\n\u003cli\u003eGenerational dialogue through hybrid artistic languages\u003c\/li\u003e\n\n\u003cli\u003eSocial and personal transformation through art\u003c\/li\u003e\n\n\u003cli\u003eIrony, humor, and hedonism as narrative tools\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eWho is it recommended for?\u003c\/h3\u003e\n\u003cp\u003eRecommended for readers interested in contemporary theater, theatrical experimentation, and artistic proposals that integrate multiple disciplines. Also for those seeking works that explore identity, autofiction, and the transformative potential of art from a generational and critical perspective.\u003c\/p\u003e\n\u003ch3\u003eWhat this book offers\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eA fresh, multidisciplinary look at theater as a tool for personal and social reflection.\u003c\/li\u003e\n\n\u003cli\u003eAn innovative approach that combines word, dance, music, and audiovisual elements within a single text.\u003c\/li\u003e\n\n\u003cli\u003eAn invitation to question identity and daily life through irony and humor.\u003c\/li\u003e\n\n\u003cli\u003eA reading experience that transcends the purely literary to delve into the performative.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eTechnical specifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eAuthor:\u003c\/strong\u003e BALBOA, CRISTINA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e INSTITUTO ARTES ESCENICAS Y MUSICA\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e Spanish\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eTopic:\u003c\/strong\u003e PLAYS, THEATRICAL TEXTS\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eCollection:\u003c\/strong\u003e TEXTOS DE TEATRO CLASICO\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eEdition date:\u003c\/strong\u003e November 2023\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eNumber of pages:\u003c\/strong\u003e 53\u003c\/li\u003e\n\n\u003cli\u003e\n\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 180 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3\u003eEditorial review\u003c\/h3\u003e\n\u003cp\u003eA theatrical proposal that commits to the hybridization of artistic languages to address the absurdity of everyday life and the search for identity. Cris Balboa's work stands out for its ability to generate identification with the reader through autofiction, offering a critical and playful reflection on contemporary life. Interesting for those looking for texts that transcend the traditional boundaries of theater.\u003c\/p\u003e","brand":"INSTITUTO ARTES ESCENICAS Y MUSICA","offers":[{"title":"Default Title","offer_id":53405074030939,"sku":"9788490414798","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1018\/0650\/6331\/files\/978849041479.jpg?v=1781822437"}],"url":"https:\/\/kalamobooks.com\/en\/collections\/poesia-y-teatro.oembed?page=874","provider":"Kalamo Books","version":"1.0","type":"link"}